4.2 • 724 Ratings
🗓️ 19 November 2024
⏱️ 33 minutes
🧾️ Download transcript
This week we're joined by Francesco Risso, the creative director at Marni.
For the past nine years, Risso has transformed the formerly family-owned Italian label launched by Consuelo Castiglioni in 1994 from a purveyor of sophisticated, off-beat clothes for artsy women to a laboratory for experimental and innovative forms of creative expression.
Risso delves into his years at Prada, his unconventional upbringing, and as a special bonus, you’ll also learn the meaning behind his Instagram handle @asliceofbambi.
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0:00.0 | This is The Run Through. I'm Nicole Phelps. Today on the show, I'm joined by Francesco Riso, the creative director of Marni. |
0:12.0 | I think of Francesco as an artist philosopher, so I was really excited to get his thoughts on the state of fashion, what inspires him, and of course, his |
0:21.3 | Instagram handle, a slice of Bambi. Here's my conversation with Francesco Riso. |
0:29.2 | Thank you, Francesco, for being here today on the Run Through podcast. Thank you, Nicole. It's such a |
0:35.2 | pleasure to see you, even with the We're far. I am so glad you're here. It's such a pleasure to see you, even with The Over Far. |
0:38.5 | I am so glad you're here. I don't know if you saw this, but in the days after the shows, |
0:45.2 | we often talk about our favorite collections on Vogue.com. And I named your show, your Marnie |
0:51.2 | show, my favorite of the season. I was so moved and everything came together |
0:56.2 | for me, the set, the live music, the way the collection built from almost spare to quite extravagant. |
1:05.3 | And I was wondering, when you're backstage, how do you know something is working? |
1:10.5 | Oh, you know, this is actually a great question. |
1:13.5 | I didn't know that anything was working until I had done my bowing, |
1:19.7 | and I came back to the backstage, and suddenly I look around at people, and I see everyone's crying. And that actually made me really like |
1:33.6 | stopped for a second and I was like, wow, wait a minute. I didn't understand what was actually |
1:40.8 | really happening there. I was like too taken by putting things back together, |
1:47.3 | like stitching the last things. |
1:49.2 | Actually, I had to stitch like a coat |
1:52.6 | that was like, by mistake, was ripped and I was there, |
1:57.9 | like so taken by that that I didn't realize anything |
2:00.6 | until I came back from my bowing. |
2:03.7 | And then, unfortunately, or fortunately, I started crying too. |
2:10.0 | Well, I have cried at other of your shows in the past, which we'll get to later. |
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