Sarah Marshall. Hello. Alex steed. Hello. Welcome to Why Are Dads, which is a show where

we talk about feelings and emotions and often dads. Yeah. In the context of movies, some

people have seen. And we talk about what a dad is or could be and how to build a better

dad and what to do with with the dads that we have. Got to do something with them. Totally.

And in doing so, we sneakily make you think about yourself. Yeah. And sneakily make

each other think about ourselves also, which I think is what makes it fair. We're not just

trying to like force the listener to have feelings. We're also making each other have feelings.

This is the truth. We referred to this in today's episode as I think a virtual or digital

sleepover, which is how I think we've talked about the show in that context before, but

that's increasingly how I feel about this show. It's a slumber party. It helps that I always

have a blanket over my head. You sure do as you do. I'm like, let me tell you about

the little girl who fell into the paper mill, which is a real scary story I made up in

the second grade. Oh, let's get to that in a second. We have on the show today Clementine

Ford. And we are talking about the movie Fargo. And Clementine has been on the show before

she's an outspoken feminist in Australia, which is a continent. It is. And an island fun

fact. And in island. From a placement. And she then on the show before she's an author

of hotcaster. She's prolific on the visual social media. And we love her so much. Or so

glad that she came on. We do love her so much. And I feel as if our repeat guests are like

establishing beats at this point. And Clementine's beat is home associality. And I feel as

if she came on the first time to talk about top gun. And now we're talking about Fargo,

that is like homosocial dreams and homosocial nightmare is the same way that Steven Spielberg

saw Poltergeist in ET is suburban nightmare and suburban dreams. Beautifully, beautifully

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