You're a handmade.

I was.

That's how they threaten us, if we're fruitful with the red dress and the wings.

I don't know how you could give your baby up to somebody else.

I'm trying your property.

So take a shifted little beady eye over me.

Women are finding their own way of expression through utilizing that costume in their own way.

So it's beautiful.

Welcome to Eyes on Gilead.

Today we're going to be talking about episode three of season two,

and a special treat, we are going to be talking to the costume designer of the Handmaid's Tale series and Crabtree.

So do stick around for that. And I've got to say, we go into quite a lot of detail about each episode on this show.

So do bear that in mind if you're sensitive to spoilers, because we are going to spoil. My name is Fiona Williams and I'm managing editor of SBS movies and TV guide here at SPS and I'm joined by my colleagues Sana Khadar and Natalie Hambly.

Hello. Hi. I am a journalist at Small Business Secrets. My name is Sana and I am loving the

series so far. I'm Natalie and I am the managing editor of SPS Life and absolutely agree 100%.

And we've just watched episode three of season two and I don't know about you guys but

I need to debrief and maybe I needed a bit of a hug and possibly a different too.

It started off really uplifting with the music and the running and I was like, okay, things

are happening, things are happening things

are changing it sure as hell did not end that way yeah actually this episode was like the reprieve

that I think that we needed after episodes one and two and I had this sort of line which I thought

no our handmade was harmed in the making of this episode and I really needed that and we also had a reprieve from Aunt Lydia she was harmed in the making of this episode. And I really needed that. And we also had a reprieve

...