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Studio 360 with Kurt Andersen

Extra: The Symphonic Side of Wynton Marsalis

Studio 360 with Kurt Andersen

PRX

Arts

4.6675 Ratings

🗓️ 26 November 2019

⏱️ 25 minutes

🧾️ Download transcript

Summary

Wynton Marsalis is a jazz icon — a renowned trumpet player and composer, he is also the music director of the Jazz at Lincoln Center Orchestra. But since the very beginning, classical music has been a part of his musical makeup. Marsalis tells Kurt Andersen about how a chance encounter on a New Orleans streetcar began his love of classical music and guides us through the composition of his “Swing Symphony.”

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Transcript

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0:00.0

From PRX.

0:07.0

I'm Kurt Anderson, and this is the Studio 360 podcast.

0:15.0

Hi, my name is Sandra Lopez-Monsalbe, a producer here at Studio 360.

0:23.6

In 1997, Winton Marsalis was awarded the Pulitzer Prize for his work, Blood on the Fields,

0:31.6

a two and a half hour jazz oratorio about a couple moving from slavery to freedom.

0:36.6

Jesse thinks not of God, not of heaven, not of justice.

0:42.3

Only his own freedom is on his mind.

0:46.3

It was the first time a jazz composition had ever won,

0:49.3

but even though Wynton Marsalis is best known as a jazz trumpet player, he also is a classical composer himself.

0:57.0

He has written four symphonies and a violin concerto,

1:00.0

and this year he released a recording of his symphony number three,

1:05.0

the Swing Symphony with the Jazz at Lincoln Center Orchestra

1:08.0

and St. Louis Symphony Orchestra, conducted by David Robertson.

1:12.4

In this podcast extra, Wynton Marsalis sits down with Kurt Anderson to talk about his love of classical music.

1:19.1

He says it all started with a chance encounter on a New Orleans streetcar when he was just a kid.

1:24.8

So a guy went into the back of the street card, a white trumpet player from a college,

1:29.2

which was unusual for a white guy to Duke.

1:31.1

He saw my trumpet case, and he had a trumpet case.

1:33.2

So, wait, as a kid in the in the 70s, you're sitting in the back of the street car because

1:37.8

that's required.

1:38.8

No, no.

1:38.8

You didn't have to.

...

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