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0:00.0 | This is the BBC. |
0:30.0 | I'm going to put a lensky on Yegans friend. |
0:32.0 | And Yegans kills lensky in a duel. |
0:34.0 | I'm in a Yegans eventually falls in love with Tatiana. |
0:36.0 | It's too late. |
0:38.0 | She has married someone else. |
0:40.0 | Pushkin wrote this verse novel over almost eight years, |
0:42.0 | while exiled, mostly while exiled within the Russian Empire. |
0:46.0 | Serializing it and then publishing it whole in St. Petersburg in 1833. |
0:50.0 | Just four years before he too was killed in a duel one morning in 1837. |
0:54.0 | His reputation grew under the tsars and reached the stratosphere in Soviet Russia. |
0:58.0 | Where he became the national poet. |
1:00.0 | With me to discuss Pushkin's Eugene and Yegans, |
1:02.0 | Andrew Kahn, professor of Russian literature at the University of Oxford |
1:04.0 | and fellow St. Edmund Hall. |
1:06.0 | Emily Finer, lecturer in Russian and comparative literature at the University of St. Andrews. |
1:10.0 | And Simon Dixon, the subordinate pairs professor of Russian history at University College London. |
1:16.0 | Simon Dixon, can you give us some context about the Russian world |
1:20.0 | into which Pushkin was born? |
1:22.0 | Well, yes. |
1:24.0 | The big question for Russia in Pushkin's lifetime was how could an autocratic monarchy cope with the challenge posed by the French Revolution? |
1:34.0 | In other words, how does Tsars, who in theory have no restriction on their power, |
... |
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