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The Trial Of Karen Read | Justice For John O'Keefe

Eric Faddis on Karen Read How Her Own Language May Convict Her-WEEK IN REVIEW

The Trial Of Karen Read | Justice For John O'Keefe

Tony Brueski

True Crime, News, News Commentary

2.2614 Ratings

🗓️ 17 May 2025

⏱️ 19 minutes

🧾️ Download transcript

Summary

Welcome to the "Week in Review," where we delve into the true stories behind this week's headlines. Your host, Tony Brueski, joins hands with a rotating roster of guests, sharing their insights and analysis on a collection of intriguing, perplexing, and often chilling stories that made the news.
    
 This is not your average news recap. With the sharp investigative lens of Tony and his guests, the show uncovers layers beneath the headlines, offering a comprehensive perspective that traditional news can often miss. From high-profile criminal trials to in-depth examinations of ongoing investigations, this podcast takes listeners on a fascinating journey through the world of true crime and current events.
    
 Each episode navigates through multiple stories, illuminating their details with factual reporting, expert commentary, and engaging conversation. Tony and his guests discuss each case's nuances, complexities, and human elements, delivering a multi-dimensional understanding to their audience.

 Whether you are a dedicated follower of true crime, or an everyday listener interested in the stories shaping our world, the "Week in Review" brings you the perfect balance of intrigue, information, and intelligent conversation. Expect thoughtful analysis, informed opinions, and thought-provoking discussions beyond the 24-hour news cycle.

Transcript

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0:00.0

This is Hidden Killers Week in review. I look back at the most prolific stories of the week.

0:05.2

This is Hidden Killers with Tony Bruske. Here now, Tony Bruske. But it seems to be how their brains work.

0:13.7

Let's watch another piece of this. Actually, we're going to go into some of these voicemails here that were played in court the other day and some of the text messages.

0:20.1

And we'll kind of work our way through this. I want to take a real, pay a lot of attention here to the tone of what she's saying, how she's saying it, and more importantly, who she's saying it to? Because on the surface, she's leaving a voicemail for John O'Keefe. She's texting John O'Keefe. So one would assume these are for John O'Keefe. I don't know that that's truly the reality of this.

0:40.5

Let's take a look and we'll texting John O'Keefe. So one would assume these are for John O'Keefe. I don't know that that's

0:38.0

truly the reality of this. Let's take a look and we'll work our way through.

0:43.0

John, I'm fucking hear you. John, I'm talking with your fucking kids. Nobody knows

0:51.2

for the fucking pervert.

0:56.3

Okay, I want to stop there for those two.

0:59.0

The first one, those are two separate voicemails.

1:00.2

John, I effing, hate you.

1:03.1

Why does she hate him?

1:10.0

Let's just play by reality here, reality here of what we know of what she knew at the time. He didn't look mortally wounded.

1:12.9

She left him in the yard. She saw him either in the yard or in the street. I'm not even going to

1:16.7

the house story because it's BS. She's already said where she last saw him. Didn't look mortally

1:22.4

wounded. And she hates him. Because what Jen McCabe said that there's a lady down the road that you

1:29.9

used to be in a relationship with, which she knew about? Or is she mad at John O'Keefe because

1:35.8

John O'Keefe got in her way? Because now she's over here. And her reality is she has this

1:42.3

image that she projects. And everybody likes her. And Karen's good, Karen's lovely. And then if the reality over here of what happened is going to conflict with her version of herself that she likes other people to see, being the woman who killed the guy that's a saint that everybody loves and he just took in his niece and nephew and is being a good

2:01.2

dad and she's responsible for injuring or even worse killing him why does she hate him because well

2:10.1

he was in the way and that's really going to make her look bad that's how i take the i the vile I hate you, not even just that she's thinking

2:19.9

he's sleeping with somebody, but because of what just took place, that voicemail was literally

...

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