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Weird Studies

Episode 81: Gnostic Lit: On M. John Harrison's 'The Course of the Heart'

Weird Studies

Phil Ford and J. F. Martel

Society & Culture, Arts, Philosophy

4.8688 Ratings

🗓️ 2 September 2020

⏱️ 78 minutes

🧾️ Download transcript

Summary

The British writer M. John Harrison is responsible for some of the most significant incursions of the Weird into the literary imagination of the last several decades. His 1992 novel The Course of the Heart is a masterful exercise in erasing whatever boundary you care to mention, from the one between reality and mind to the one between love and horror. Recounting the lives of three friends as they play out the fateful aftermath of a magical operation that went horribly wrong, Harrison's novel gives Phil and JF the chance to talk contemporary literature, metaphysics, Gnosticism, zones (see episodes 13 & 14), myth, transcendence, history, and arachnology. Together, they weave a fragile web of ideas centered on that imperceptible something that forever trembles at the edge of our perception, beckoning us to step into its world, and out of ours. REFERENCES M. John Harrison, The Course of the Heart M. John Harrison, "The Great God Pan" Arthur Machen, The Great God Pan Philip K. Dick, Ubik Philip K. Dick, The Three Stigmata of Palmer Eldritch Weird Studies, Episode 14 on Stalker Jonathan Carrol, American novelist Robert Aickman, British writer Magic Realism, literary genre Phil Ford, “An Essay on Fortuna, parts 1 and 2,” Weird Studies Patreon John Crowley, Ægypt Jorge Borges," The Approach to Al-Mu'tasim" Strange Horizons, Interview with M. John Harrison M. John Harrison on worldbuilding Thomas Ligotti, American horror writer Weird Studies subreddit Albert Camus, French philosopher David Abram, The Spell of the Sensuous Spiders’ nervous systems Valentinus, gnostic theologian Simon Magus, religious figure Wiccan goddess and god Bruno Schulz, The Street of Crocodiles Weird Studies, Episode 37 with Stuart Davis Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Spectrevision Radio

0:03.3

Welcome to Weird Studies, an arts and philosophy podcast with hosts Phil Ford and J.F. Martel.

0:23.3

For more episodes or to support the podcast, go to weirdstudies.com. The Zone takes care of its own.

0:52.8

That's a line from David Cronenberg's film, Naked Lunch, a loose adaptation of the William Burroughs novel.

0:59.0

I always like that line.

1:00.8

It's ambiguous.

1:02.1

Who belongs to the Zone?

1:03.9

And does the Zone take care of them, like a mother with her children?

1:07.6

Or like a hitman, taking care of an inconvenient witness?

1:12.6

In Naked Lunch, the Inter, taking care of an inconvenient witness. In naked lunch,

1:18.6

the interzone takes care of Bill Lee in both senses. The zone giveth and the zone taketh away.

1:25.9

It takes from him what he loves and who he is, but it gives him poetry in return. We talked about zones all the way back in episodes 14 and 15, when we talked about

1:29.9

the zone in the Andre Tarkovsky film, Stalker. In that film, the zone is a beautiful

1:35.5

wasteland where humans can visit but never stay, and whose geography changes every time it is

1:41.2

visited. It is laden with traps that will kill the unwary and unworthy without warning.

1:47.7

Who knows why some are worthy and others not? Even those whom the zone chooses are cursed by it.

1:54.2

The zone is inimical to human life, but in stalker, the zone is the only place where the unnamed protagonist, a poet and holy fool, can really be at home.

2:05.2

The zone is to such persons what hashish, absence, and sorcery were to the decadence.

2:11.7

A poison and cure all at once.

2:14.4

A surplus of ecstasy that you love even as you can feel it destroying you.

2:20.1

A zone opens itself to some and not others, for no reason anyone will discover.

2:26.5

Zones are incompatible with human reason. Like drug states and mystical gnosis,

...

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