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the memory palace

Episode 73 (Notes on an Imagined Plaque to be Added to the Statue of General Nathan Bedford Forrest, Upon Hearing that the Memphis City Counci has Voted to Move it and the Exhumed Remains of General Forrest and his Wife, Mary Ann Montgomery Forrest, from

the memory palace

Nate DiMeo

Radiotopia, Publicradio, History, Natedimeo

4.87.2K Ratings

🗓️ 13 August 2015

⏱️ 11 minutes

🧾️ Download transcript

Summary

Episode 8 of the 2015 Summer Season

Music

* Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.

* First up (and returning at the end) is Sandra's Theme, from Heather McIntosh's fantastic score to Compliance, a very good, very disturbing movie.

* We hit Frank Glazer leading Charles Ives' Largo for Clarinet, Violin and Piano a couple of times, framing...

* Runaway from Olafur Arnalds.

Notes:

*The key to researching this episode turned out to be an article in The Journal of Southern History from 2001 by Court Carnay called, "The Contested Image of Nathan Bedford Forrest.".

* Also particularly useful was Nathan Bedford Forrest: a Biography, by Jack Hurst.

* As was Lynching in America: A History in Documents, compiled by Christopher Waldrep.

* Much of my information about the contents of the ceremony and speeches was gathered from this, the digitized journal and scrapbook of Charles Henry Niehaus, the sculptor of the monument. It's an extraordinary resource.

* And let us all read Southern Horrors: Lynch Law in All its Phases, by Ida B. Wells. And let's put her on the $10 while we're at it.

Transcript

Click on a timestamp to play from that location

0:00.0

This is the memory palace.

0:02.0

I'm Nate Demetow.

0:04.0

Notes on an imagined plaque to be added to the Statue of General Nathan Bedford Forest

0:08.9

upon hearing that the Memphis City Council is voted to move it, and the Exume remains of

0:13.1

General Forest and his wife, Mary Ann Montgomery Forest, from their current location in a

0:17.8

park downtown to the nearby Elmwood cemetery.

0:23.0

First it should be big, the plaque.

0:25.3

Not necessarily because there's so much to say, though there is so much to say, but big

0:29.7

enough to be noticed on the side of this rather grand monument after they move it and

0:33.9

the bodies beneath it, across town to the cemetery.

0:37.7

It's not just big for the sake of bigness, it needs to stick out as something off, something

0:42.9

that disrupts the admirable balance of the Statue.

0:46.0

Currently so tasteful, wrinkle even, this bronze man on this bronze horse, goatee, square

0:52.6

jaw, you get it.

0:54.7

You've seen it before, even if you haven't seen it before.

0:58.9

The Statue faces north, the sculpture wanted for us to face south, to better catch the

1:03.8

light, but people complained, said it would imply that the general was retreating, and

1:08.9

he wasn't a man who retreated.

1:11.7

He surrendered once, but if the sculpture face north, maybe people would forget that part,

1:17.3

I guess.

1:19.0

So ending with the plaque has to be big enough to catch your eye, when you're checking

1:22.3

your cell phone or walking your dog or eating a chicken Caesar salad from a plastic box

...

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