4.8 • 923 Ratings
🗓️ 22 June 2020
⏱️ 59 minutes
🧾️ Download transcript
In this part 2 episode, Toby sits down with Danny "Danny Boy" O'Connor of House Of Pain/La Coka Nostra. Danny speaks about being a hip hop/hardcore kid, meeting Everlast, Valley crews, getting kicked off first tour with Beastie Boys , the birth of Jump Around, moving to Tulsa, OK and buying the Outsiders house, SE Hinton, being sober and positive reinforcement
Please remember to rate, review and subscribe and don't forget our youtube channel https://www.youtube.com/tobymorseonelifeonechance
Click on a timestamp to play from that location
0:00.0 | I'm on the phone with Danny Boy now we're doing our part two because last time he was in LA we we ran out of time and there's so much to talk about and |
0:07.8 | Actually just listen back to where we ended and where we ended that was |
0:18.1 | I was saying how when I first saw how the pain come out you guys look like hardcore kids and I got all information from from talking to you because you were a hardcore punk |
0:23.9 | into suicidal and skateboarding and all that shit and that was intentional and |
0:29.0 | that was part of you know how you guys were growing up and stuff being involved in |
0:32.2 | hip-hop and everything. |
0:35.1 | I mean for me for sure not Eric and lethal but for me most definitely it was curious in the 80s growing up in the San Fernando Valley which is like on the other side of the hill of Hollywood as punk started to become a thing there were a lot of punk gangs based on punk bands, if you will. |
0:56.9 | Suicidal tenancy having, I'm sure, the largest at that time of, you know, band to gang ratio. |
1:04.0 | Yeah, yeah. |
1:05.0 | And I remember yesterday the first punk album I bought, I mean, for calling it punk, |
1:10.0 | and you're calling it hardcore, let's not mean, you know, whatever those definitions are different to everybody, but at the time the first record I had bought that was anything close to punk was suicidal tendencies record. Yeah. |
1:23.0 | Genius record, it was also executive produced by Glaney Friedman, |
1:27.0 | the photographer as well, which was a whole other crazy story. |
1:30.0 | I found out years later that, you know, he he I think he lent them 20 grand of his |
1:34.9 | personal savings that he had saved up from doing all the skate photos for all those |
1:39.3 | years regardless sign the frontier records blah blah blah I had none I didn't care about any |
1:44.4 | all I saw was dudes with white t-shirts button to the top with you know with hats flipped up |
1:50.4 | Venice written under them v 13 and throwing up gang signs and I was like these |
1:54.5 | dudes are hard as fuck and you know I've always graduated towards that you know |
2:00.6 | that counterculture tough guy stuff as a kid yeah and so for me that was a thing and then as I started going out to night clubs a lot of there was a lot of dance clubs in LA at the time I would consider them like new wave type dance clubs |
2:17.2 | phases hot tracks 3-2-1 in Santa Monica |
2:27.1 | what's the other one and Santa Monica. What's the other one in, Dillens in Westwood and there's one in Hollywood that I'm forgetting it'll come to me. But and this is where I started to see a lot |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Toby Morse, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Toby Morse and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.