4.8 • 847 Ratings
🗓️ 20 April 2020
⏱️ 22 minutes
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0:00.0 | Ready to launch your business? Get started with the commerce platform made for entrepreneurs. |
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0:24.5 | Sign up for your $1 a month trial at Shopify.com slash setup. |
0:31.7 | This season of the Art Curious podcast is brought to you by our sponsor, Anchorlight. |
0:36.9 | Please visit Anchorlightrolly.com to learn all about |
0:40.3 | their artist residency programs, exhibitions, and more. Have you ever seen a sculpture so lifelike |
0:47.4 | that you've got to stand there staring for a whole minute, trying to determine if you're |
0:51.9 | seeing a real person or a real animal? I sure have. |
0:55.6 | Just check out the uncanny, life-sized works of Dwayne Hanson, and you will see what I mean. |
1:00.4 | Or have you ever seen a painting so naturalistic that you almost want to reach out and touch it |
1:05.1 | to make sure it's actually oil on canvas and not something else like a bowl of fruit? |
1:10.0 | Absolutely, this happens, though just as a |
1:12.6 | PSA, please don't touch the art ever, because it's far more fragile than you think it is, even in |
1:17.6 | terms of its sensitivity to the oils on your fingertips. Sometimes art is meant to appear so lifelike that it's |
1:24.5 | really disturbing. There's been a long precedent for this in art that shows |
1:28.4 | this darker side of life in the most realistic ways possible, something that we touched on a bit |
1:33.8 | during our shock art series with works like Thomas Aikens's painting, The Gross Clinic. |
1:38.9 | Centuries before Aikins created his gory masterpiece, lived another painter in Europe, whose violent, dark paintings of |
1:45.9 | dying martyrs shown in a very lifelike manner, totally gripped Spain and Italy. And though |
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