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Longform

Episode 515: Clint Smith

Longform

Longform

Education, Arts, Books, News

4.71.9K Ratings

🗓️ 14 December 2022

⏱️ 71 minutes

🧾️ Download transcript

Summary

Clint Smith is a poet and a staff writer for The Atlantic. His most recent book is How the Word Is Passed: A Reckoning with the History of Slavery Across America and his latest feature is “Monuments to the Unthinkable.” “I've been to a lot of places that carry a history of death and slaughter and murder. I've been on plantations. I've been in execution chambers. I've sat on electric chairs. I've been on death row. But I have never experienced anything like what I experienced walking through the gas chamber in Dachau. I mean, there's reading books about the Holocaust, and then there's that. And that is something that I hope to continue doing for the rest of my life: putting my body where these things happen. Because it completely transforms your understanding of what it was like.” Show notes: @ClintSmithIII clintsmithiii.com Smith on Longform Smith's Atlantic archive 00:00 How the Word Is Passed: A Reckoning with the History of Slavery Across America (Little Brown • 2021) 01:00 "Monuments to the Unthinkable" (Atlantic • Nov 2022) 17:00 Evicted: Poverty and Profit in the American City (Matthew Desmond • Crown • 2017) 33:00 The Hemingses of Monticello (Annette Gordon-Reed • W.W. Norton • 2009) 34:00 Counting Descent (Write Bloody Publishing • 2016) 57:00 The Diary of a Young Girl (Anne Frank • 1947) 57:00 Number the Stars (Lois Lowry • Houghton Mifflin • 1989) 1:07:00 "The Stories Tamir Rice Makes Us Remember" (New Yorker • Dec 2015) 1:08:00 Smith's New Yorker archive 1:08:00 "Freddy Adu and the Children of the Beautiful Game" (New Yorker • Mar 2017) 1:09:00 Above Ground (Little Brown • 2023) 1:09:00 Crash Course Black American History Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Hello and welcome to the Longform podcast. I'm Evan Ratliffe, one of the co-hosts of

0:14.0

the show. Co-hosting with me are Max Lensky and Aaron Lamar. Hey guys, good morning.

0:20.4

Great to co-host with you guys. Love to co-host with you guys. Evan, who is on the show this

0:24.0

week. I guess this week was Clint Smith. Clint is a staff writer at The Atlantic. He's an

0:31.5

essayist and journalist. He's also a poet. And last year he published this narrative nonfiction

0:38.8

book called How the Word is Past for which he traveled to different landmarks and locations

0:48.3

around the U.S. and abroad to look at how we as a society publicly remember and memorialize slavery

0:55.8

or fail to memorialize slavery in some cases. That book won a bunch of awards last year as New York

1:01.3

Times best seller. And then for the most recent cover of The Atlantic, he sort of did the same thing

1:06.9

in Germany where he traveled to Germany to examine how the Holocaust is memorialized. There,

1:12.8

it was kind of like an extension of his book almost. So we talked about all of that and we talked

1:19.2

a bit about his soccer writing, which I'm also a very big fan of. You could like put the World Cup

1:24.8

on mute. Listen to this podcast. Just a suggestion. Chances are that Aaron has the World Cup on mute

1:33.2

right now. We make this show with our friends at Vox. Thanks to them.

1:38.8

Now here's Evan with Clint Smith.

1:48.0

Clint, welcome to the show. It's good to be here. Monk I'm fan first time callers, they say.

1:52.8

Hey, I am a long time fan of your work. It's really great to have you on and you have this

1:58.9

this cover story in The Atlantic right now, which I'm very interested to talk about, but I want to

2:04.0

take a very long way around to it. So I want to go all the way back. You're from New Orleans.

2:10.8

New Orleans comes up in your work a good bit. And I want to find out a little bit about how you

2:15.6

ended up in this spot, almost like how you ended up traveling to Germany to write a cover story

2:19.7

for The Atlantic, how we get from here to there. And I wanted to sort of start a little bit just

...

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