4.8 • 688 Ratings
🗓️ 17 July 2019
⏱️ 96 minutes
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0:00.0 | Spectrevision Radio. |
0:03.3 | Welcome to Weird Studies, an arts and philosophy podcast with hosts Phil Ford and J.F. Martel. |
0:23.3 | For more episodes or to support the podcast, go to weirdst. I'm J.F. Martel. Flannery O'Connor was born in Savannah, Georgia, in |
0:55.8 | 1925. During her short life, she died of lupus at the age of 39. She wrote dozens of short stories, |
1:04.0 | and also two novels, the first of which was Wise Blood, the book we're discussing today. |
1:09.5 | Though written early in O'Connor's career, |
1:11.7 | Wise Blood packs all the strangeness that her short fiction is known for. |
1:16.2 | It was all there from the start, |
1:18.1 | menageries of so-called grotesque characters, |
1:21.3 | the cross-contamination of reason with dream logic, |
1:24.0 | the ubiquity of senseless and almost random violence, and most important for us, |
1:30.2 | that pervasive ambiance of weirdness whose source the reader can never quite pinpoint. |
1:36.0 | O'Connor didn't need fantastical tropes to evoke the weird because in her world, everything was |
1:41.1 | weird already, everything was already supernatural. Her Roman Catholic viewpoint and her |
1:46.9 | lifelong struggle with a debilitating illness gave her a unique perspective, one that made her keenly |
1:52.9 | aware of what we might call the intrinsic monstrosity of the world. Wise Blood is the story of Hazel Motes, |
2:03.5 | a preacher's son who travels to the fictional city of Takenham, Tennessee, to spread the gospel of what he calls the church without Christ. |
2:08.9 | In our conversation, Phil and I interpret the novel as a kind of descent into hell, a journey |
2:14.3 | into the dreamscape that opens up to those who take seriously the modernist claim |
2:18.9 | that the world has neither meaning nor purpose. |
2:22.0 | What Hazel Motz finds there is difficult to put into words, |
2:25.8 | and maybe the tortuousness of our conversation has to do with this difficulty. |
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