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🗓️ 18 June 2025
⏱️ 26 minutes
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This episode begins with one of the great scenes in the mythologies of India. Indra had become King of the Earth by winning a great battle; he also became obsessed with power and increasingly demanding. Just when all the people were being reduced to dust and bones by the endless orders and sudden changes, the self-proclaimed lord of the earth has a surprising encounter with a ragged beggar boy. Although young and seemingly an outcast, the orphan boy knows more than the king about the use of power, the meaning of life and how the world can change in a moment.
We are each the beggar boy in the sense that we know what it means to be the orphan, the outcast, the immigrant or other who is being rejected, alienated or exiled. And in the end, the orphan boy, who breaks the spells of self-glorification and self-delusion that entraps the king and all the land, turns out to be Vishnu, the original creator who dreams up the world. Those who insist on claiming that they are superior and more righteous or entitled than others are not only psychologically rejecting their own inner orphan, they are also severing their connection to the underlying and essentially unifying dream of life.
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0:00.0 | Welcome to the Living Myth podcast with Michael Mead, where this shifting, changing world is looked at from a mythic perspective. |
0:25.6 | This episode begins with one of the great scenes in the mythologies of India. Indra had become king of the earth by winning a great battle. |
0:30.6 | He also became obsessed with power and increasingly demanding. |
0:34.6 | Just when all the people were being reduced to dust and bones by the |
0:39.6 | endless orders and sudden changes, the self-proclaimed Lord of the Earth has a surprising encounter |
0:46.0 | with a ragged beggar boy. Although young and seemingly an outcast, the orphan boy knows more |
0:53.9 | than a king about the use of power, |
0:57.0 | the meaning of life, and how the world can change in a moment. |
1:01.0 | One of the greatest scenes in all of mythology |
1:17.7 | occurs in an ancient tale from India |
1:21.5 | when Indra, as the Lord of the Earth, |
1:26.0 | encounters a young beggar boy who, although young, knows more than he does, |
1:33.9 | about the use of power, the meaning of life, and how the world changes. |
1:40.6 | Indra was the prototype of rulers and kings, and early on he took up the battle of life against |
1:47.7 | the forces of death when he defeated Vitra, who was the personification of death and drought |
1:54.7 | and the loss of the water of life that can lead to the utter exhaustion of life. |
2:01.8 | Indra won the battle. |
2:08.8 | Life triumphed, and the world, which ever seems on the verge of destruction, was preserved. |
2:15.9 | After winning, Indra felt the exhilaration of triumph and had the feeling of having defeated all opponents. |
2:19.8 | In the fullness of victory, he was struck with the idea of building the most magnificent palace imaginable. Soon the building of |
2:27.2 | the great building began. And yet, no matter how grand the palace became, Indra was somehow dissatisfied. He kept insisting on adding more |
2:37.3 | rooms and extra terraces. He wanted more wings and greater gardens and more walls, huge walls. |
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