Hey, film fans, welcome along to another episode of soundtracking with me, Edith Bowman.

Long time, no, here, speak.

That is if you joined us for our extra episode on Friday, where we had a bit of a fall guy special.

It was wonderful to have David Leach and Kelly McCormick back on the podcast, as well as my very dear and talented friend, Mr. Drew Pierce.

Drewisms, I think, should be a phrase that

most people should coin from this point onward. Anyway, I hope you've had the joy and the time to

go and expedience, Fulgai, and laugh your pants off like I did. If not, it's out in cinemas now,

as is the subject of this episode.

Now, we've got another one of our live shows for you today recorded a couple of weeks ago

at Everyman, Burryard, with the wonderful Rose Glass. She's the director and co-writer of Love Lies Bleeding.

Rose is quite a new filmmaker in that this is only her second film, her previous film, St. Maud.

We waxed lyrical about on this show.

We had starred in the film, Mavre Clark, and we also had the composer, which was just the most brilliant opportunity to celebrate a brand new filmmaker.

Rose has excelled herself with her new film.

It's called Love Lives Bleeding, as I said, and it's out in cinemas now.

It stars Kristen Stewart, Katie O'Brien, Jen and Malone, Dave Franco and Ed Harris.

And the kind of top-line plot of the film is follows the relationship between a reclusive gym manager,

who is part of a crime family and an ambitious bodybuilder in 1989 small town America.

That's kind of all you really need to know, to be honest, before going into this film,

because you just need to allow yourself to experience this phenomenal film

that is many parts of many things but I thoroughly thoroughly enjoyed it. And Love Life's

Bleeding is scored by friend of the show, the wonderful Clint Mansell who has done something

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