Hi folks. I hope you're well. Welcome along to Soundtracking with me, Edith Bowman, my weekly dive

into the beautiful relationship between film and music, something I absolutely adore doing

every week and just the opportunity to bring you a different conversation every week just

is thrilling. So welcome. Now we've got a very special bonus episode of

soundtracking for you today as Matthew Vaughan, Lauren Balf, Giles Martin, Gary Barlow and

Stuart Price join me to discuss the music of Argyle. Just to give you a little bit of

background to some of those names if you're not familiar with them. Matthew Vaughan, obviously

director, writer, producer extraordinaire. Lauren Balfe, if you're not familiar with them. Matthew Vaughan, obviously, director, writer,

producer extraordinaire. Lauren Balf, if you're a regular to the podcast, you'll know that Lauren's been on

several times. Probably most recently with Christopher McCquery talking about his amazing work on the

mission films. Giles Martin is the son of Sir George Martin and continues that legacy of being in the world of music and producing.

He was very much behind the new Beatles track that was released a couple of months ago,

so completely embedded in that world that he grew up in, I imagine.

Gary Barlow needs no introduction.

He is, of course, Mr. Take That, Mr. Music.

And Stuart Price.

Now, Stuart is someone that, bizarrely, I have known for over 20 years,

and I was introduced to Stuart through his previous, I guess, life as La Rhythm Digital.

From that, he kind of went really deep into producing.

He worked with Madonna, and he still continues to work with Donna, amongst many, many other people.

The story of how he came into this project on Argyll would become apparent throughout the conversation.

Now, as you'll hear, each made very specific contributions to the film,

...