4.8 • 688 Ratings
🗓️ 27 February 2019
⏱️ 60 minutes
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0:00.0 | Spectrevision Radio |
0:02.0 | Welcome to Weird Studies, an arts and philosophy podcast with hosts Phil Ford and J.F. Martel. |
0:20.0 | For more episodes or to support the podcast, |
0:23.3 | go to weirdst. This is J.F. Martel. |
0:53.0 | Matt Cardin is a writer, editor, musician, and college |
0:56.1 | professor living in North Texas. His first collection of supernatural horror stories, Divinations |
1:02.1 | of the Deep, was published in 2002. It was followed eight years later by Dark Awakenings, |
1:07.9 | a book that's unique in its mixture of horror fiction and what can only be called |
1:12.0 | horror nonfiction. Most notably for me, Dark Awakening's includes an essay, arguing that the |
1:18.7 | Book of Isaiah from the Old Testament bears all the hallmarks of a true-to-form horror tale. |
1:24.2 | And that thesis really captures the vision that Matt seems to convey through a lot of his writing, |
1:30.4 | namely that what we call speculative fiction has a prophetic dimension. |
1:34.9 | As he says in the conversation you're about to hear, it gives us a vocabulary for dealing |
1:39.8 | with parts of ourselves and the world that are the farthest thing from imaginary. |
1:45.1 | In recent years, Matt has edited a number of single-volume encyclopedias on mummies, |
1:49.3 | the paranormal, and horror literature for the academic publisher ABC Clio. |
1:54.5 | In 2015, he earned a World Fantasy Award nomination for editing Born to Fear, interviews |
2:00.2 | with Thomas Legati. |
2:03.1 | In this episode, we discuss a chapter Matt wrote for the newly published astounding illustrated |
2:08.1 | history of fantasy and horror from Fire Tree Publishing in the UK. |
2:13.0 | We wanted to discuss these genres in a general sense, and more specifically, we wanted to see how they |
2:18.6 | pertain to the periodist chapter deals with, the 60s and 70s. How does the speculative imagination |
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