4.8 • 847 Ratings
🗓️ 1 October 2018
⏱️ 28 minutes
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0:31.8 | By day, I am a contemporary art curator, which means that my focus in my professional life |
0:37.3 | is on art of the |
0:38.6 | present, of the now. I spend most of my time homing in on photographs that were created just |
0:44.0 | months ago, a sculpture finished last week, a painting still in process, the oil paint still drying. |
0:50.7 | I love that the work I see every day reflects so much of the time and place in which we live, |
0:55.9 | and I find it exhilarating. |
0:58.0 | But I'll be the first to admit that along with this exhilaration, |
1:01.8 | I sometimes feel other emotions when looking at art of the now. |
1:05.7 | Disdain. Despair. Fear. |
1:09.1 | I'm frequently asked by others, why is art today so challenging, so shocking? |
1:15.0 | These kinds of questions make me come back to a statement that I've made time and again, |
1:19.4 | not only on this podcast, but in everyday life. It's obvious when you think about it, but also |
1:24.7 | strangely hard to accept sometimes. All art was, once, |
1:29.3 | considered contemporary. Works that we take for granted today as masterpieces, or as the epitomies |
1:35.6 | of the finest of fine art, could also have been considered ugly, of poor quality, or just bad, |
1:42.6 | when they were first made. With the passage of time comes a calm and |
1:46.6 | acceptance. But that doesn't change the fact that there are many works of art peppered |
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