Hi folks, how you doing? I hope this finds you well. Thank you very much for tuning in or downloading or just hitting that button and listening to another episode of my weekly podcast soundtracking with me, Edith Bowman. Now obviously at the minute there is some much needed discussions going on in the States with regards to writers and actors and who are seeking for the right support

both financially and contractually.

And so we are thinking and trying to work out ways that we can get on board on the conversation

within the podcast.

So over the next few weeks, as well as our usual episodes of talking about

film and music, which we may have to pause. We don't know, but we'll try and find ways of

keeping the conversation going. But what we would like to do is to try and incorporate

discussions on what's needed, what the writers and what the actors are looking for,

so that as people who are not within those unions,

can try and get involved in helping whatever way we can.

So if you have any way that you would like to get involved in that,

please do drop us an email.

It's info at edithbohman.com.

And as I said, we've got the next few weeks kind of in the cam, but we'd love to kind of find and think of ways that we can get on board and show our support.

So yeah.

Do get in touch info at edithbohman.com.

Yesterday we as a family, three generations of the family, I went for a second visit to the cinema to see Mission

Impossible and it was bloody brilliant even a second time round, I've got to say. And I just wanted

to remind you that we have a brilliant episode that we put up to the end of last week with

Eddie Hamilton, the editor and Cecil Turner Sack, who's a music editor and producer for the film.

Such a brilliant and beautiful insight into a couple of crafts that we don't really get the

chance to talk about. Oh, that would be my phone going off, apologies. But back to this week.

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