Hello, how are you? Edith here. Thanks very much for joining me for another episode of

soundtracking where I get to talk about, I mean, we do talk about music and film and sometimes I kind of

go off track and talk about lots of other things because with every person that we interview,

there is a specific depth of opportunity to chat about that with them,

depending on who they are, what they do and how much they've done. So it may well be there.

It's a first time director who's done one film that that's kind of the depths of what we can

talk about, maybe like today's guest, John Farver, where there's a whole lot of things. But we definitely

focused on the new Mandalorian series. But I'll get that in just a second because one thing that I

wanted to just quickly talk about is, well, it's a couple of things. I love when you guys get in

touch. Info at edithbowman.com is the email address that I try and check at least a couple of times a week to see if

anybody sent me some really interesting emails and there's been loads of things which is great

so thank you to everybody who has been in touch whether that be just saying they really like the

podcast to Peter Quinn thank you very much indeed for getting in touch with suggestions

of a guest, which is great.

But this is a really nice one actually, which allows me the opportunity to talk about something

that we do alongside the podcast, Nathan Haynes.

He says, hi there, Edith and Ben.

It's nice, isn't it?

I only recently discovered the soundtracking podcast and oh my word, listening to

your incredible interviews has given me an entirely fresh perspective on music collaboration and

film. I simply cannot get enough of it. That's good, thanks Nathan. One of the good things about

having found a podcast that has been going for a while is that there are plenty of episodes to get

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