4.8 • 847 Ratings
🗓️ 28 May 2018
⏱️ 30 minutes
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0:31.9 | Anyone familiar with abstract expressionism would basically tell you what I'm about to tell you, |
0:38.5 | that this art movement was one where all the insiders or practitioners were more closely involved than many other art |
0:43.9 | movements, though of course there are exceptions. Most Ab-X artists were friends, working together, |
0:50.2 | collaborating, bouncing ideas off of one another. Such close confines also make for some serious |
0:56.1 | rivalries, too. But there were other artists who were more intimately involved with one another |
1:01.2 | in their artistic process. They were married or were lovers. Such is the case with both Jackson |
1:07.6 | Pollock and Willem DeCooning, who were the subjects of our last episode. |
1:11.4 | Both of these men married women who were incredible artists in their own right. |
1:16.1 | Interestingly, and sadly, when these two spouses are mentioned, it's very rare that we are treated |
1:21.9 | to sincere commentary just about their works of art. More often than not, we are instead given explanations of how these women measure up to their |
1:31.6 | admittedly more famous husbands and are relegated either to a supporting role or just plain |
1:37.7 | seen as not good enough in comparison. |
1:44.0 | Why is it that such talented women continue to have their posthumous careers and stories marked and shaped by their husbands? |
1:51.0 | Some people think that visual art is dry, boring, lifeless, but the stories behind those paintings, sculptures, drawings, and photographs |
2:03.3 | are weirder, crazier, or more fun than you can imagine. |
2:07.4 | And today we are continuing our series on great rivalries in art history with the unfortunate, |
2:12.7 | unofficial rivalry that history often likes to perpetuate, the comparison between Elaine Dekooning, Lee Krasner, |
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