Hi folks, welcome along to soundtracking.

My name is Edith Bowman and I'm saying this as if it's the first time because I wanted to welcome any of our new listeners.

Thank you very much for joining us.

It doesn't matter if you have only just discovered us.

I got a couple of messages this week from first time listeners, which is why I wanted to mention you in particular. So we launched

this podcast five years ago because Ben and I wanted to start a conversation about film and music

and it's beautiful and very distinctive and personal relationship. And we've done that since

in our 250 plus episodes. so welcome along for the ride thank you so

much feel free to dive deep into our library of guests and there's a really easy way that you

can search either by director or by film or by composer on the website, which is edith bowman.com.

If you go to the soundtrack and section, there's a really simple search mechanism there for you.

If you are fancy in a deep dive, so there you go.

We love making it.

Absolutely adore making it.

I was just talking about it with someone this morning.

In an interview, they were asking me about it. And they were kind of like, why do you do it? I'm like, because I making it. I was just talking about it with someone this morning. In an interview,

they were asking me about it. And they were kind of like, why do you do it? I'm like, because I love it.

I love it. I get to talk about filming music every week. What's not to love about that?

So yeah, there we go. That's why I do it because I love it. And so we've got another great episode for you. Our latest guest on this episode, he's a composer

who's probably best known for his work with the Coen Brothers,

though he's collaborated with plenty other amazing and brilliant filmmakers.

Carter Burwell was something of a punk rocker

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