4.9 • 686 Ratings
🗓️ 25 December 2019
⏱️ 14 minutes
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0:00.0 | Everybody dies, don't they? |
0:10.4 | Isn't that same? |
0:14.4 | You tried to get into the locked drawer today, didn't you? |
0:17.7 | How do the dead come back, mother? |
0:20.0 | What's the secret? The old Portrait by Hume Nesbit. |
0:25.6 | Old-fashioned frames are a hobby of mine. |
0:28.6 | I'm always on the prowl amongst the frames and dealers and curiosities for something quaint and unique in picture frames. |
0:35.6 | I don't care much for what's inside them, for being a |
0:39.4 | painter. It is my fancy to get the frames first and then paint a picture which I think |
0:43.8 | suits their probable history and design. In this way I get some curious and I think also some |
0:50.4 | original ideas. One day in December about a week before Christmas I picked up a fine but dilapidated specimen |
0:57.3 | of wood carving in a shop near Soho. |
1:00.5 | The gilding had been worn nearly away and three of the corners broken off, yet, as there was one |
1:05.4 | of the corners still left, I hoped to be able to repair the others from it. |
1:09.7 | As for the canvas inside this frame, it was so |
1:12.8 | smothered with dirt and time-stains that I could only distinguish it had been a very badly painted |
1:18.2 | likeness of some sort, of some commonplace person, daubed in by a poor pot-boiling painter |
1:25.0 | to fill the second-hand frame, which his patron may have picked up |
1:28.7 | cheaply as I had done after him. But as the frame was all right, I took the spoiled canvas along with |
1:34.8 | it, thinking it might come in handy. For the next few days my hands were full of work of one kind |
1:40.5 | and another, so it was only on Christmas Eve that I found myself at liberty to examine |
1:45.4 | my purchase which had been lying with its face to the wall since I had brought it to my studio. |
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