4.9 • 885 Ratings
🗓️ 27 November 2022
⏱️ 65 minutes
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Matty and George from The 1975 talk with Sodajerker about the band's stellar new album Being Funny In A Foreign Language, working with Jack Antonoff, and being addicted to making stuff. The guys explain their songwriting and creativity in a variety of ways, touching on everything from postmodernism to comedy in what feels like a very good therapy session.
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0:00.0 | And the Welcome everyone to Soda Jerka on songwriting episode 240. I'm Simon here as always with the They recently met with their fifth consecutive number one album, |
0:33.1 | the brilliantly assured being funny in a foreign language produced with Jack Antonoff |
0:37.2 | and we recently met with their lead singer and drum metal in about how it was put together and much, much more. |
0:42.1 | We're delighted to welcome the 1975's |
0:44.3 | Mattie Healy and George Daniel to the show. |
0:47.0 | The 1975 story begins in 2002 in Wilmslow, a suburb of Manchester in the |
0:51.9 | northwest of England. |
0:53.0 | Matty, George, League guitarist Adam Han and bassist Ross McDonald |
0:57.0 | had met at Wilmslow High School in their mid-teens |
0:59.5 | and decided to put a group together |
1:01.0 | when a kindly council worker organized a series of local gigs for young teenagers. |
1:05.5 | Matty was initially on drums until the departure of original lead singer Elliot Williams, |
1:09.7 | at which point George jumped behind the kit and Matty took over as frontman, a role he was evidently |
1:14.4 | born to fulfil. They rehearsed in Matti's parents' garage and gradually found their feet jamming their |
1:19.2 | favour of punk and pop songs. It was a couple of years before they started adding their own material to the mix. |
1:24.4 | They operated under a variety of names during this formative period, such as Talkhouse, |
1:29.2 | the slowdown and Drive Like I Do, before finally arriving at the 1975, a phrase |
1:34.8 | Matti had seen scrawled inside an annotated secondhand copy of Jack Kerouacs |
1:38.8 | on the road. However it was while still performing as Drive Like I Do in the late Nauties that they were first contacted via My Space, no less, by manager Jamie Oborne, who checked out their music after a tip-off from a fan. |
1:51.0 | Oborne Julie took them under his wing and shopped his young charges round to various labels, |
1:55.6 | but to no avail. |
1:56.9 | So he opted to cut out the middleman, launch his own label, Dirty Hit and sign them himself, |
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