You might think I'm crazy

I'm crazy Hello everyone, and welcome to the Stephen King cast, one man's musings on the works of Stephen King.

Once I reviewed each of his works in the chronological order of publication, but Ka is a wheel,

it all goes round again, and here I am,

once more, back at the beginning on a new phase of the journey to examine each of the endings

of the works of Stephen King, to determine whether or not King deserves his reputation for having

an inability to successfully land his endings. The focus of the podcast is going to be to examine the climax, the falling action, the resolution

of the endings to each of his novels and break it down by character, themes, conflict, and

plot to determine whether or not it meets the criteria of being an objectively good ending.

I will also weigh in on whether or not I happen to personally, subjectively like the ending.

And today's podcast will focus on the ending of the Stephen King Classic misery.

Okay, guys, I'm going to get right into it.

Last week, I gave a quarantine corona recommendation of a series of books and movies

slash TV for everyone to catch up on. And what I'm going to do is head back into the

endings of the works of Stephen King.

I had taken basically a month-long break from June to July to, I just, I wasn't in the zone.

I just, I couldn't focus where I needed to focus, and I kind of want to get back to it. I don't want to leave anyone in the lurch.

So I'm just going to go right into my thoughts on the ending of misery.

And in order for me to talk about the ending of misery, I'm just going to read the Wikipedia

summary so that we have some context.

Paul Sheldon, the author of the bestselling series of Victorian-era romance novels featuring the

character Misery Chastain, has finished the series' final installment in which misery is killed off.

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