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the memory palace

Episode 234: Looking for Parking, Late Winter, 1996

the memory palace

Nate DiMeo

Natedimeo, History, Publicradio, Radiotopia

4.87.2K Ratings

🗓️ 26 July 2025

⏱️ 11 minutes

🧾️ Download transcript

Summary

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.

The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that’s a part of PRX, a not-for-profit public media company. If you’d like to directly support this show, you can make a donation at Radiotopia.fm/donate. 

Notes

  • Go to adoptastation.org and pitch in.
  • Listen to the incredible documentaries by Lloyd Newman, LeAlan Jones, and David Isay, at David's (Corporation for Public Broadcasting funded) Storycorps.org

Music

  • Herbert's Story from Mark Orton's score to Nebraska.
  • Kyu from Sylvain Chaveau
  • Smygkatt by Shida Shahabi
  • Roedelius plays Rolling
Learn about your ad choices: dovetail.prx.org/ad-choices

Transcript

Click on a timestamp to play from that location

0:00.0

This is the Memory Palace. I'm Nate DeMaio. I am going to do a couple of things I don't usually do here.

0:07.4

I'm going to tell you a story about myself from my own history.

0:12.2

I keep finding myself telling it. I had a book of Memory Palace stories come out last November and at book events at readings and interviews and stuff.

0:22.7

This specific memory or set of memories or memory set among context of other memories, however it really is that memory really works,

0:30.0

keeps coming to mind. This one story just keeps coming out. It has been my go-to answer to a question

0:36.4

I keep getting asked. And I have become so quick

0:39.3

to go to that answer that I have at times found myself mid-answer in mid-telling of this story,

0:46.5

regretting having started telling it, suddenly wondering whether I'm just giving some pat

0:50.9

answer as though there was something less than sincere happening, that this is some sort of canned response,

0:56.0

like some script handed to someone with a headset at a call center

0:59.0

to help them answer common questions about health insurance claims

1:03.0

or clearing printer jams.

1:05.0

And this is a thing for me as just like a person in the world.

1:10.0

I have a hang up. I tend to distrust words that come

1:13.5

too easily. Have the sense that real thought requires new language. And so there, mid-response to

1:21.0

an old question, I get this nagging feeling that maybe I'm not digging deeply enough, not meeting

1:26.0

this question with the same sincerity with

1:27.9

which it had been posed. But no, the answer keeps coming to me because it is the correct one.

1:35.7

So someone asked me why I tell these stories this way. I am a writer. I have a specific set of

1:41.2

fascinations like writers do. I could, the question goes, be writing

1:45.6

about my particular, very particular fascination with the past, telling stories about the past

1:50.5

in presumably any format, in novels, or magazine articles, or screenplays, or blog posts, or

...

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