Episode 147: "Dracula" by Bram Stoker, Ch. 3-7
The Literary Life Podcast
Angelina Stanford
4.7 ⢠1.2K Ratings
šļø 8 November 2022
ā±ļø 81 minutes
šļø Recording | iTunes | RSS
š§¾ļø Download transcript
Summary
On The Literary Life Podcast this week, our hosts continue with part 2 of their series on Bram Stoker's Dracula. After sharing their commonplace quotes, Angelina, Cindy and Thomas begin discussing how to properly read Dracula and other books written in this tradition. (Hint: It's not the Freudian or psychoanalytical approach!) Angelina argues that Bram Stoker was trying, among other things, to reintroduce the traditional forms and metaphors into the modern era. Thomas shares the dark etymology of the name Dracula and how that relates to the image of Satan in this character. Cindy brings up Jonathan's memory of Mina when he is in his darkest moments and the power of love against evil.
Now is the time to get your copy of Hallelujah: Cultivating Advent Traditions with Handel's Messiah in time for celebrating Advent with your family. You can also get a recording of the Advent to Remember webinar at MorningTimeforMoms.com.
Thomas will be offering a webinar on Henry VIII and his times, which you can register for at HouseofHumaneLetters.com. Kelly Cumbee will also be teaching a course on The Chronicles of Narnia and medieval cosmology in February, and registration is now open.
Commonplace Quotes:
I never desire to converse with a man who has written more than he has read.
Samuel Johnson
For, indeed, a change was coming upon the world, the meaning and direction of which even still is hidden from us, a change from era to era. The paths trodden by the footsteps of ages were broken up; old things were passing away, and the faith and the life of ten centuries were dissolving like a dream. Chivalry was dying; the abbey and the castle were soon together to crumble into ruins; and all the forms desires, beliefs, convictions of the old world were passing away, never to return. A new continent had risen up beyond the western sea. The floor of heaven, inlaid with stars, had sunk back into an infinite abyss of immeasurable space; and the firm earth itself, unfixed from its foundations, was seen to be but a small atom in the awful vastness the universe. In the fabric of habit in which they had so laboriously built for themselves, mankind were to remain no longer.
And now it is all goneālike an unsubstantial pageant faded; and between us and the old English there lies a gulf of mystery which the prose of the historian will never adequately bridge. They cannot come to us, and our imagination can but feebly penetrate to them. Only among the aisles of the cathedral, only as we gaze upon their silent figures sleeping on their tombs, some faint conceptions float before us of what these men were when they were alive; and perhaps in the sound of church bells, that peculiar creation of mediƦval age, which falls upon the ear like the echo of a vanished world.
James Anthony Froude
A man no more creates the forms of which he would reveal his thoughts, than he creates thoughts themselves. For what are the forms by means of which a man may reveal his thoughts? Are they not those of nature?ā¦What springs there is the perception that this or that form is already an expression of this or that phase of thought or of feeling. For the world around him is an outward figuration of the condition of his mind; an inexhaustible storehouse of forms whence he may choose exponentsā¦The meanings are in those forms already, else they could be no garment of unveiling.
George MacDonald
A Selection from The Rime of the Ancient Mariner
by Samuel Taylor Coleridge
Alone, alone, all, all alone,Ā
Alone on a wide wide sea!Ā
And never a saint took pity onĀ
My soul in agony.Ā
The many men, so beautiful!Ā
And they all dead did lie:Ā
And a thousand thousand slimy thingsĀ
Lived on; and so did I.Ā
I looked upon the rotting sea,Ā
And drew my eyes away;Ā
I looked upon the rotting deck,Ā
And there the dead men lay.Ā
I looked to heaven, and tried to pray;Ā
But or ever a prayer had gusht,Ā
A wicked whisper came, and madeĀ
My heart as dry as dust.Ā
Book List:
A Dish of Orts by George MacDonald
The History of England, from the Fall of Wolsey to the Death of Elizabeth by James Anthony Froude
The Weight of Glory by C. S. Lewis
Studies in Words by C. S. Lewis
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Transcript
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| 0:00.0 | You're going to. This is not just another book chat podcast. |
| 0:22.8 | Lifelongs, |
| 0:24.8 | joins teachers Angelina Stanford and Thomas Banks |
| 0:27.6 | for an ongoing conversation |
| 0:29.5 | about the skill and art of reading well. |
| 0:33.0 | Explore the lost intellectual tradition |
| 0:35.6 | and discover how to fully enter into the great works of literature. |
| 0:40.2 | Learn what books mean while delighting |
| 0:42.4 | in the sheer joy of imagination. |
| 0:45.0 | Each week we will rescue a story from the ivory tower |
| 0:49.0 | and bring it to your couch, your kitchen, and your commute. |
| 0:53.6 | The literary life is for everyone, because in the words of Stratford Caldecott, |
| 0:57.9 | to be enchanted by story is to be granted a deeper insight into reality. |
| 1:03.5 | Join us for an ever unfolding discussion |
| 1:06.6 | of how stories will save the world. |
| 1:09.5 | This is the Literary Life Podcast. Hello, welcome back to the literary life podcast. This is episode two of our series on Bram Stokers, Dracula. And with me, |
| 1:38.0 | hmm, I'm trying to figure out what chill I call him. Shall we call Mr. |
| 1:42.2 | Bags, Quincy Morris? Can you do a Texas accent? |
| 1:45.0 | Yes, but I think people from Texas would prefer I did not. |
| 1:48.0 | I mean, your brother is a Texas adventurer. Maybe that counts sort of. |
| 1:51.0 | Actually, I was amusing myself by reading the Quincy Morris dialogue |
| 1:55.2 | and my brother James's voice. |
... |
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