4.8 • 688 Ratings
🗓️ 1 February 2023
⏱️ 94 minutes
🧾️ Download transcript
Click on a timestamp to play from that location
0:00.0 | Spectrevision Radio |
0:02.0 | Welcome to Weird Studies, an arts and philosophy podcast with hosts Phil Ford and J.F. Martel. |
0:20.0 | For more episodes or to support the podcast, |
0:23.3 | go to weirdstud J.F. Martel. |
0:52.8 | We read a few texts in preparation for this episode, |
0:56.0 | the cultural importance of the arts by the American philosopher Suzanne Langer, |
1:00.5 | Oscar Wilde's preface to the picture of Dorian Gray, commencement speeches by Leon Wieselteer, |
1:06.4 | Neil Gaiman and David Cronenberg, Alfred Gell's The Art of Anthropology, |
1:11.5 | and no doubt a couple more things that elude me now. |
1:15.3 | All these texts have to do with art. |
1:17.9 | More specifically, they deal with the problem of the utility or purpose of art, with the question, |
1:24.0 | what is art for? |
1:25.6 | Well, our answer is straightforward. Art is for nothing. It is, as Wilde famously |
1:31.2 | put it, quite useless. That's why it's so essential in an age of technique bent on instrumentalizing |
1:37.8 | all things. Today, art is being pulled apart by the four horsemen of the aesthetic apocalypse, |
1:45.5 | not war, pestilence, |
1:50.7 | famine, and death, but politics, artificial intelligence, commodification, and moralism. |
1:54.8 | I could go on, but I'm out of horses, and art is out of limbs. |
1:59.3 | As everything accelerates, works of art become easier to overlook. |
2:02.2 | They appear on the periphery of our fields of vision. |
2:08.9 | Blurred objects glimpsed briefly on the roadside as we flash by. Art belongs to a slow world, |
2:15.2 | another world, the real world. In its perfect uselessness, it asks us to stop and become useless ourselves. The call is all too easy to ignore. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Phil Ford and J. F. Martel, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Phil Ford and J. F. Martel and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.