Episode 114 - Welles Done (The Black Museum)
Down These Mean Streets (Old Time Radio Detectives)
Jack Mooney
4.5 • 1.1K Ratings
🗓️ 24 May 2015
⏱️ 32 minutes
🧾️ Download transcript
Summary
Join Orson Welles as he leads you on a guided tour of The Black Museum, Scotland Yard's mausoleum of murder. In each episode of this syndicated series, Welles tells the story of a seemingly innocuous object that was inexorably tied to a violent crime. Follow the story from the perpetrator's flight from the scene of the crime to the dogged police work of Scotland Yard as they close in on the guilty party. We'll hear Welles narrate the syndicated story "The Telegram."
Transcript
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| 0:00.0 | The May 6th, 2015 would have been the 100th birthday of Orson Wells. |
| 0:28.0 | The legendary actor and director is celebrated for his classic films like Citizen Kane, Touch of Evil, and The Third Man. |
| 0:37.1 | But Radio was a major presence in Wells Life, from his earliest days on Broadway, well into his career as a film director. |
| 0:45.0 | It was during this later period, the years that found Wells in England, far from the Hollywood scene, |
| 0:51.0 | that he lent his unique voice and commanding presence to the Black Museum, an anthology of mystery and murder set among the files of Scotland Yard. |
| 1:02.0 | In each episode of this syndicated series, Wells led radio |
| 1:06.8 | listeners on a tour of the Titular Museum, an archive of objects, everything |
| 1:12.4 | from a wool jacket to a 22 caliber pistol, all with something in common. |
| 1:18.0 | Each was a key piece of evidence in a murder case. |
| 1:22.0 | Wells would stop at one of the objects and spin its story from the |
| 1:26.4 | crime itself to the investigation to the final verdict. Each item, no matter how innocuous it appeared, was tied to a violent death. |
| 1:37.0 | On radio, one gets the image of wells shrouded in shadow as he moves through a cavernous collection of mayhem. In fact, the real black museum |
| 1:46.7 | sounds a little less foreboding. It was first opened in 1875, and it was intended as a resource to help the police investigate crimes. |
| 1:56.0 | It won the name Black Museum in 1877 |
| 2:00.0 | though its official title is the Crime Museum of Scotland Yard. |
| 2:05.0 | Today it still exists as part of New Scotland Yard |
| 2:08.0 | with an assortment of weapons and artifacts of some of England's most infamous crimes, including some letters allegedly |
| 2:15.1 | penned by Jack the Ripper. |
| 2:17.5 | As of today, it is not open to the public. |
| 2:20.6 | The Black Museum was another product of the partnership between Orson Wells and producer Harry Allen Towers. |
| 2:27.0 | Towers built himself as the Orson Wells of Europe, so perhaps it was only fitting that the two teamed up while Wells was |
| 2:34.2 | abroad. During Wells years in England, he starred in not only the Black Museum for |
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