4.8 • 857 Ratings
🗓️ 7 March 2024
⏱️ 60 minutes
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0:00.0 | Okay, so Ashley, I want you to close your eyes and just think about some of the |
0:07.4 | monuments that you picture when you hear the word monument. I live in Indiana, born and raised and one thing that's true about |
0:19.2 | Indiana is you're going to get a war memorial, okay? |
0:22.9 | There's gonna be a statue for a general, okay? |
0:27.1 | You're gonna find some cannons. |
0:29.8 | That was me from a conversation I had with one of our producers. |
0:37.0 | I'm from Fort Wayne, so I literally grew up around memorials to war and conflict. |
0:44.2 | And those have predictable forms, |
0:46.2 | like an obelisk or a soldier on a horse. |
0:50.5 | In this series, we've looked at monuments and memorials in various corners of the United States. |
0:57.0 | And I've noticed that the newer attempts at grappling with our history look very different from the monuments I saw as a kid. |
1:05.0 | Maybe it's because they're trying to tell a different kind of story. |
1:09.0 | Sure, artistic styles change. |
1:12.6 | But new kinds of stories ask us to stretch our assumptions |
1:17.0 | of what a monument should look and feel like. |
1:24.0 | This is Monumental, a podcast series produced by PRX. |
1:29.0 | I'm your host Ashley C-iford. This episode, we're focusing on the design choices that go into monument making. |
1:42.0 | Good design, you're not meant to notice. |
1:45.3 | You're meant to kind of experience. |
1:47.9 | This is producer and art historian Tamar Avishai. |
1:51.8 | She got me thinking more deeply |
1:53.4 | about the challenges of creating monuments. |
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