Ep. 597: How to Structure Stories With Multiple Main Characters?
Helping Writers Become Authors
K.M. Weiland
4.8 • 1.1K Ratings
🗓️ 25 July 2022
⏱️ 18 minutes
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Summary
How you structure a story with multiple main characters will depend on which type of plot you're working with.
Transcript
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| 0:00.0 | This is K.M. Wyland and you are listening to the Helping Writers Podcast. |
| 0:14.2 | I hope you enjoyed this week's episode, |
| 0:16.3 | How to Structure Stories with Multiple Main Characters. |
| 0:22.0 | One of the most common questions I'm asked is how to structure stories with multiple main characters. |
| 0:28.0 | If you have two or more characters who are equally important to the story and receive equal POV time, how should you balance |
| 0:36.4 | them when structuring your novel? |
| 0:39.4 | At its core, story structure is a simple equation. |
| 0:43.0 | One primary actor, the protagonist, moves forward toward a goal through a series of obstacles |
| 0:49.4 | that ultimately demand personal transformation of some kind. |
| 0:54.3 | Any discussion of structure reveals that plot is necessarily intertwined with character |
| 0:59.8 | art. |
| 1:00.8 | Indeed, many basic explanations of plot points are in fact less about external forces working |
| 1:07.0 | upon the characters and more about how the character is changing from the inside out. Usually these discussions emphasize the protagonist as a singular entity within the story. |
| 1:20.0 | And usually this is precisely because the protagonist's character arc is so closely linked to the story's external plot structure. |
| 1:29.0 | The single protagonist, in alignment with the plot structure produces elegantly powerful stories. |
| 1:36.9 | If we consider the story form as a map of psychological transformation, then it makes sense that it is often at its most |
| 1:44.6 | thematically powerful when it is most streamlined and simple. And yet many stories |
| 1:51.6 | choose to follow multiple main characters for many different reasons. |
| 1:56.0 | For one thing, this complexity more closely mirrors our real life experiences. |
| 2:02.0 | But, too, some stories are more about the panorama |
| 2:06.9 | than the personal transformation and they require more than one character's |
| 2:11.4 | perspective in order to give readers all the necessary information. |
... |
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