4.8 • 1K Ratings
🗓️ 20 January 2020
⏱️ 18 minutes
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0:17.0 | This is K.M. Island and you are listening to the 492 episode of the Helping Writers Become Authors Podcast. As I talked about in last week's podcast, I've started a new writing schedule this year, and so far I'm really digging it. For the first time since moving in 2018 I'm back to a |
0:28.7 | morning schedule for my writing and it's making a big difference not just in my writing productivity but in my productivity in all the rest of my day as well. |
0:38.8 | Just knowing I got a good chunk of writing under my belt before lunch seems to help me stay more focus in getting through all |
0:46.3 | the remaining busy work and other projects that need doing in the afternoon. And Wonder of Wonders, I'm actually doing all this morning writing without a cup of coffee, |
0:58.0 | since I've been drinking my morning coffee a little earlier in the morning this year. But then I've resurrected my dark chocolate |
1:05.5 | habit, so you know it's not all that shocking after all. I like to have a little something to |
1:11.3 | eat or drink when writing. |
1:13.0 | It grounds me in the beginning and keeps me from getting fidgety. |
1:16.6 | But I try not to eat junk too. |
1:19.2 | I tend to think dark chocolate is actually pretty good for me, |
1:22.0 | so I'm happy eating a couple pieces of it |
1:24.6 | for a mid-morning boost while riding that's what I tell myself anyway and now I |
1:30.6 | hope you enjoyed this week's podcast, the two different types of the lie your character believes. |
1:37.0 | The lie your character believes. It's the atom waiting to be split the bomb waiting to go off the |
1:46.0 | change waiting to happen in your character's life even when hidden beneath layers of |
1:52.1 | plot and theme the lie your character believes is your story. |
1:57.8 | You know this, of course. |
1:59.3 | But did you know that sometimes there are two types of the lie your character believes. |
2:07.0 | The lie your character believes is the central cog in your character's arc. |
2:11.6 | This is so simply because the lie is the reason change needs to take place, and therefore the reason there's a story to tell in the first place. |
2:21.0 | The lie will inherently be opposed by a related truth and together |
2:26.3 | they create the foundation for a cohesive and resonant plot and theme. |
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