Ep. 32 - Disturbing Algorithms, Witness, Akataschetos
Plodcast
Canon Press
4.8 • 1K Ratings
🗓️ 23 February 2018
⏱️ 16 minutes
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| 0:00.0 | Yes, God, God don't never change. |
| 0:19.2 | Welcome to Plodcast, episode 32. |
| 0:22.3 | Great to have you with me. thanks for coming along so I want to |
| 0:26.7 | title this first segment well this could just call it disturbing algorithms. |
| 0:32.7 | And then I'd like to explain the news story that got me, |
| 0:39.1 | or just describe briefly the news story |
| 0:41.2 | that got me thinking along these lines and then make a few suggestions. |
| 0:46.0 | I saw a float by somewhere on the internet on in my, I forget where I saw it Facebook or somewhere, where, or maybe I don't know, one of the |
| 0:58.0 | websites I look at. |
| 0:59.4 | But there was a news story that one of the things that people have done they've developed an algorithm |
| 1:07.6 | they've developed the software the technology that enables that enables you to take the appearance, the face of various celebrities and map them onto pornographic images in real time in a realistic way. |
| 1:31.5 | We've gotten to spooky levels of facial recognition software. |
| 1:40.0 | And so that's, that's creepy so the fact that people are taking celebrity images and |
| 1:49.2 | making porn with them is |
| 1:52.0 | creepy but my point is not that creep that my point is not the |
| 1:57.8 | sexual creepiness of it but another another side of this which is I think even even |
| 2:07.4 | creepier if that's possible let me appear to change the subject is We're not very far away from people being able to make movies with deceased actors. |
| 2:25.8 | So for example, if you can do what I just described, |
| 2:28.6 | you can also have, get somebody |
| 2:31.6 | who had roughly the build of Humphrey Bogart and walk him through a film and then map, |
| 2:38.8 | you know, the whatever studio owns the rights to Humphrey Bogart or Carrie Grant or anybody like that, |
| 2:47.0 | you could map that person's likeness onto action figures. |
... |
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