4.6 • 2.3K Ratings
🗓️ 17 February 2020
⏱️ 67 minutes
🧾️ Download transcript
Concluding "Gender Trouble" (1990), with just Mark, Wes, and Seth going carefully through pt I, sec v: "Identity, Set, and the Metaphysics of Substance," and pt III, sec iv: "Subversive Bodily Acts: Bodily Inscriptions, Performative Subversions."
Start with part one or get the unbroken, ad-free Citizen Edition. Please support PEL!
End song: "I'm a Boy" by Lys Guillorn as interviewed for Nakedly Examined Music #44.
Click on a timestamp to play from that location
0:00.0 | The Partially Examined Life relies on your support. |
0:02.5 | To find out how to help in ways that are cheap or even free, |
0:05.4 | please visit partiallyexaminedlife.com slash support. |
0:16.5 | You're listening to Partially Examined Life. |
0:18.0 | This is episode 235. |
0:20.0 | Part 3, we are still talking about Judith Butler's gender trouble. |
0:24.0 | So we want to continue a little by Jenny and Dylan to drop off. |
0:27.9 | So we're going to do a little more close textual analysis |
0:30.9 | at the latter portions of gender trouble here. |
0:33.2 | We also looked at this article, |
0:35.4 | Sex and Gender in Simone Du Boas, |
0:37.6 | Second Sex from 1986, |
0:39.8 | which seemed to make some useful tie-ins between the last two topics. |
0:43.9 | Where do you guys want to start? |
0:45.2 | I think we were about to get into identity. |
0:48.9 | I mean, I know at least we need to do bodily inscriptions, right? |
0:51.9 | Right. That's mostly what I wanted to talk about. |
0:54.4 | If that's what you want to do, why don't we just do that? |
0:56.4 | And then we can pull another stuff. |
0:58.4 | Yes. The sort of metaphysical issues in terms of an actor behind gender, |
1:04.4 | is there a disembodied cartesian subject that acts out various gender things? |
1:08.9 | And I guess in general, |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Mark Linsenmayer, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Mark Linsenmayer and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.