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Crude Conversations

EP 137 Carrying on a storied history with Matt Fernandez of Anchorage Community Theatre

Crude Conversations

crudemag

Society & Culture

5884 Ratings

🗓️ 30 September 2023

⏱️ 88 minutes

🧾️ Download transcript

Summary

In this one, Cody talks to Matt Fernandez of Anchorage Community Theatre. Matt’s association with ACT goes back to before he was even born. His mom was involved in ACT and was the Assistant Director of the play Bus Stop in 1968. He actually still has the playbill for that show. Fast-forward to 1989 and he’s watching his first show. It’s Oliver Twist, it’s an ACT production and his brother is in it. Three years later, in 1992, Matt personally got involved with ACT. He’s 12 and the Alaska theatre legend Bob Pond gives him a non-speaking role in A Christmas Carol. He got the non-speaking role because he stuttered throughout the entire audition, but Bob casted him anyway — Bob had a tendency to recognize when someone needed a role, either to be part of the theatre community or to boost their self-esteem. The next role Bob gave Matt was in Inherit the Wind. It was a speaking role and he had the opening monologue. To this day, Matt says it was the best speech therapy he’s ever had. The history of Anchorage Community Theatre is important to Matt, mostly because there’s a lot there. It’s been around since the 1950s, before Alaska was even a state. That’s 70 years of local theatre and community. The longstanding tradition of military personnel involvement is a big part of its history. It goes back to 1953, during the Korean War, when ACT’s founder Frank Brink was stationed in Kodiak. He was a naval officer and he was also running Anchorage Little Theatre, so he decided to see if the theater-writing team Rodgers and Hammerstein would allow him to do South Pacific, a musical about World War II. They did, and thus began a heritage of military involvement in ACT that continues to this day. To solidify his point about history, Matt talks about a photo taken after the 1964 Good Friday earthquake. In it, the streets of 4th Avenue are split and collapsed, shops are destroyed, and above it all is a banner advertising “Our Town,” an ACT play.

Transcript

Click on a timestamp to play from that location

0:00.0

2 2 2

0:10.2

Welcome to the show. In this one, I talked to Matt Fernandez of Anchorage Community Theater.

0:17.2

Matt's association with ACT goes back to before he was even born. His mom was involved in ACT

0:23.6

and was the assistant director of the play bus stop in 1968. He actually still has the play

0:30.1

bill for that show. Fast forward to 1989, and he's watching his first show. It's all of her

0:36.6

twist. It's an ACT production, and his brother is in it. Three years later, in 1992, Matt personally

0:44.3

gets involved with ACT. He was 12, and the Alaska Theatre Legend Bob Pond gave him a non-speaking

0:51.1

role in a Christmas Carol. He got the non-speaking role because he stuttered throughout the

0:56.1

entire audition, but Bob casted him anyway. Bob had a tendency to recognize when someone needed a

1:02.4

role, either to be a part of the theatre community or to boost their self-esteem. The next role

1:08.7

Bob gave Matt was an inherit the wind. It was a speaking role, and he had the opening monologue.

1:15.8

To this day, Matt says it was the best speech therapy he's ever had.

1:22.2

This podcast is made possible through the generous support of the crude magazine Patreon

1:26.7

subscribers. If you already subscribed to the crude magazine Patreon, thank you. For those

1:32.8

listeners who aren't, please consider subscribing at patreon.com slash crude magazine.

1:40.4

That's patreon.com slash crude magazine, and pick the subscription tier that works for you.

1:48.4

I want to thank everyone subscribed at the company man tier. These are the people who have

1:52.8

subscribed to the crude Patreon for $50 or more. Trina Doober,

1:58.5

Seward Brewing Company, the grind coffee shop in Juneau, Derek Adolf, Sharon Liska, Jake Liska,

2:08.4

Alaska Surf Adventure, and Borderline Legacy. Thank you to all the Patreon subscribers. Your money

2:16.0

and your support make these conversations possible. You can also support this podcast with a

2:21.6

one-time payment at buymeacoffee.com slash crude magazine. That's buymeacoffee.com slash crude magazine.

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