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🗓️ 1 August 2025
⏱️ 7 minutes
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Today’s poem is Nocturne by Oliver Baez Bendorf.
The Slowdown is currently taking a break. We’ll be back soon with new episodes from a new host. This week, we’re revisiting some favorites from Major Jackson’s time as host. Today’s episode was originally released on September 8, 2023.
The Slowdown is your daily poetry ritual. In this episode, Major writes… “In young adulthood, long before children, jobs, home ownership, my evenings felt like a blank canvas of cultural and spiritual possibility. I felt a joyous connection to all around me, artists and writers and musicians, thinkers and believers, both living and departed, alive in their pursuit of beauty and knowledge. I was starving and knew it. On South Street, one bookstore stayed open till midnight. Many nights I closed it down, sitting in a corner reading a paperback, a beer in my pocket or a cup of coffee in my hand. At some point, I knew I needed to make art, to move to celebrating the world’s loveliness. I was perpetually hungry to do so.”
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0:00.0 | Hey, it's Major. Over the past few years, I've had the great privilege of sharing poetry with you |
0:05.8 | and offering a daily moment to pause and slow down. Today, we're revisiting one of my favorite episodes |
0:14.4 | from my time on the show. I hope you enjoy this selection. |
0:24.2 | I'm Major Jackson, and this is The Slowdown. |
0:54.2 | In young adulthood, long before children, jobs, home ownership, my evenings felt like a blank canvas of cultural and spiritual possibility. During the day, I followed and delivered on my expected routines. |
0:59.6 | I went to work, I completed tasks, I paid my rent and utilities. |
1:02.5 | I might even have checked in on family. |
1:08.6 | But then came the hours for which spontaneity and exploration ruled. |
1:14.2 | I went to dance clubs, jazz concerts, art galleries, independent films, |
1:22.0 | bookstore readings, coffee houses, underground hip-hop battles. I made new friendships and deepened old ones. I catered to my senses. I was omnivorous. I ate cuisines new to my palate at restaurants |
1:30.7 | suggested by friends. After a modern dance concert or performance art show, my body was full of the |
1:38.6 | sweetness of Korean kimchi and Spanish paillas and the fire of Indian Vindalus and Sichuan hot pots. |
1:47.6 | I wandered with no sense of destination. |
1:51.0 | There was no planning or scheduling. |
1:54.0 | Just whatever the city I was in had to offer me at that moment. |
1:58.7 | It was communion with the world. I lived by the phrase on a whim. |
2:06.3 | I enjoyed walking to the next adventure down alleys where shadows ruled, where car lights and street |
2:12.8 | lamps did not reach. When I passed through a dark door and music entered inside my chest as a bass thump, |
2:21.6 | all the better. The experience was like being in the throes of research, feeling myself grow from |
2:28.7 | experiences that cracked me into a wholeness in which there was no separation of body and mind, |
2:37.8 | just the music of living. Desire and openness seemed essential, and I felt I could go on in this |
2:46.5 | state. I felt a joyous connection to all around me, artists and writers and musicians, thinkers |
... |
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