meta_pixel
Tapesearch Logo
Log in
The Daily Poem

Emily Dickinson's "Wild nights - Wild nights!"

The Daily Poem

Goldberry Studios

Education For Kids, Arts, Kids & Family

4.6729 Ratings

🗓️ 23 August 2024

⏱️ 9 minutes

🧾️ Download transcript

Summary

Today’s poem–perfect for a Friday–gives us a less familiar (PG-13) Emily Dickinson, dreaming of letting her hair down. Happy reading.



This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Transcript

Click on a timestamp to play from that location

0:00.0

Welcome back to the Daily Poem, a podcast from Goldberry Studios. I'm Sean Johnson, and today is Friday, August 23rd, 2024. Today's poem is by Emily Dickinson, and it's called Wild Nights, Wild Nights. I mentioned on yesterday's episode that whenever I read this poem, I am reminded of John Dunn's poem, A Validiction, Forbiting Morning, because of the ways in which they are juxtaposed to one another.

0:34.0

They make a great point and counterpoint.

0:43.9

And all the more so, because Dunn is remembered in his youthful poetry as a little bit of a wild and suggestive character himself, but enters into a

0:53.9

reserved and pious adulthood.

0:58.4

And then Emily Dickinson, by reverse, is often thought of as very reserved and private.

1:08.0

And yet in this poem, not exclusively in this poem, but particularly in this poem,

1:13.4

we see a very enthused and very unreserved Emily Dickinson, or here rather.

1:22.0

So, without further ado, here is wild nights, wild nights. I'll read it once, offer a few comments,

1:29.2

and then read it one more time. Wild nights, wild nights, where I with the wild night should be

1:40.0

our luxury. Futile, the winds to a heart and port, done with the compass, done with the chart,

1:47.5

rowing in Eden. Ah, the sea, might I but more tonight in thee.

1:58.2

This is a very quick, very energetic poem.

2:02.9

It also seems to be a poem sparked by separation.

2:11.5

In the second line, we have that counterfactual, were I,

2:16.7

this kind of hypothetical, subjunctive, if it were the case that I was

2:22.4

with you, but I'm not. Were I with the wild knights should be our luxury. The implication there

2:30.3

is also luxury's opposite. If we are living by meager means and can afford a few or no

2:40.0

luxuries, that's when we would make a statement like this. We would make a luxury of this. Wild nights.

2:50.3

And then we get perhaps a suggestion of the source of the separation very much

2:55.1

like in dunn's own poem there is a sea voyage in mind futile the winds to a heart in port done with

3:02.8

the compass done with the chart so there is a kind of there there's a sailing going on. Wherever we are, we are,

3:10.9

one of us is storm tossed, maybe both of us literally or figuratively. But together, we could be

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from Goldberry Studios, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Goldberry Studios and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.