4.6 • 729 Ratings
🗓️ 6 June 2019
⏱️ 6 minutes
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Today's poem is Emily Dickinson's "I died for beauty - but was scarce."
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0:00.0 | Welcome back to the Daily Poem here on the Close Reeds Podcast Network. |
0:07.4 | I'm David Kern. |
0:09.4 | Today's poem is by Emily Dickinson. |
0:11.5 | It's been a while since I have written Emily Dickinson poem on this podcast, |
0:15.1 | and probably something I need to do, I don't know, like once a month or whatever. |
0:18.5 | So it is time to do so. |
0:19.8 | And the poem that I'm going to read today is called, I Digginson lived from 1830 to 1886. She was an American poet, as you know, |
0:30.5 | one of the, if not the most famous of all American poets. So this is how it goes. |
0:37.4 | I died for beauty, but was scarce adjusted in the tomb when one |
0:42.8 | who died for truth was Lane in an adjoining room. He questioned softly, why I failed. For beauty, |
0:53.5 | I replied. And beauty, I replied. |
0:55.8 | And I, for truth, themselves are one, we brethren are, he said. |
1:04.0 | And so as kinsmen met a night, we talked between the rooms, |
1:08.7 | until the moss had reached our lips and covered up our names. |
1:17.6 | In their book, The Making of a Poem, Under Anthology of Poetic Forms, Mark Strand and Avon |
1:23.4 | Boland talk about this poem. And they say this. So there's two paragraphs here I want to read. |
1:28.9 | I just think they can, you know, as I've said in the past, say what I would like to say |
1:34.2 | precisely and much more eloquently. So this is what they say in this book. |
1:41.3 | Dickinson was a superb technician, original, volatile, and explosive in her arrangements of language |
1:47.4 | and image. But perhaps her most distinguishing strength is the perfect timing of the quatrains she used. |
1:53.6 | These four line charges carried the force of her vision. They were perfectly and intuitively spaced, |
1:59.7 | achieving maximum drama between stanza and stanza. |
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