Emilia Pérez Oscars Controversy
TransLash Podcast with Imara Jones
TransLash Media
4.3 • 619 Ratings
🗓️ 27 February 2025
⏱️ 44 minutes
🧾️ Download transcript
Summary
The film Emilia Pérez has been making waves this awards season—but not without controversy. While the musical thriller has received critical acclaim, its casting choices and portrayal of trans identity have sparked heated debate about representation, authenticity, and Hollywood’s track record with trans stories. This week, Imara breaks down the discourse surrounding Emilia Pérez and its road to the Oscars with filmmaker and critic Drew Burnett Gregory. She explains what might have led to Karla Sofía Gascón’s PR nightmare, why Hollywood is fundamentally conservative, and what it takes to make trans representation in film truly interesting.
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Lauren Snyder: Instagram (@laurensnyderart)
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TransLash Podcast is produced by TransLash Media.
Translash Team: Imara Jones, Oliver-Ash Kleine, Aubrey Calaway.
Xander Adams is our senior sound engineer and a contributing producer.
Morgan Astbury is our social media coordinator.
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Transcript
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| 0:00.0 | Hey fam, it's me Amara. |
| 0:11.2 | Welcome to the Translodge podcast, a show where we tell trans stories to save trans lives. |
| 0:17.1 | Well, we're deep into awards season, and it's been a complicated year for trans film. |
| 0:22.6 | Carlos Sophia Gascan made history as the first trans actress nominated for an Oscar for her role in Amelia Perez, |
| 0:29.6 | but the film and the actress herself have created quite a firestorm of controversy. |
| 0:35.6 | But we've also seen some exciting developments in the world |
| 0:38.8 | of transfilm and filmmaking over the past year, from experimental cinema like I Saw the TV Glow |
| 0:45.3 | and the People's Joker to the heartwarming documentary Will and Harper. So I wanted to talk with |
| 0:51.3 | someone who's watched all of this and who has some really good |
| 0:55.2 | insights and opinions on the good, the bad, and the ugly of transfilm right now, informed |
| 1:01.1 | by their own experience. |
| 1:03.1 | So I'm joined by a filmmaker and critic Drew Burnett Gregory, who shares which films she's |
| 1:08.4 | been loving and which films she didn't love quite so much. |
| 1:12.1 | I do just want to underline that, like, I want work that is challenging. |
| 1:16.4 | I want work where trans people do things that we don't approve of, |
| 1:20.9 | whether that's, like, has sex with the wrong person, |
| 1:23.9 | and we're like, oh, no, don't do that, or, like, is fully murdering someone. |
| 1:27.4 | But before we get to that cinematic conversation, let's start like, oh no, don't do that. Or like, is fully murdering someone. |
| 1:32.8 | But before we want to become. |
| 1:55.0 | And that is certainly true for New Mexico-based artist Lauren Snyder. |
| 1:59.5 | After coming out as a trans woman at the age of 66, |
| 2:03.1 | Lauren's creative practice blossomed. She's shown her work in galleries across the country |
... |
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