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Bad Gays

Elisar von Kupffer

Bad Gays

Huw Lemmey & Ben Miller

History

4.6842 Ratings

🗓️ 7 January 2025

⏱️ 65 minutes

🧾️ Download transcript

Summary

A fascist femboy, a Baltic count, an orientalist white supremacist, editor of the first anthology of gay literature, painter of a 30-meter cyclorama featuring 90 androgynous twinks disporting themselves in the nude in a fantasia of the four seasons, devotee of Adolf Hitler, founder of a new religion, and poet: it's Elisar von Kupffer. Subscribe to Extra Bad Gays for monthly episodes, our advice segments, and to support our work. Check out our new merch, including hats, shirts, and socks. ----more---- SOURCES: Marhoefer, Laurie. “Queer Fascism and the End of Gay History.” NOTCHES (blog), June 19, 2018. https://notchesblog.com/2018/06/19/queer-fascism-and-the-end-of-gay-history/.   Marhoefer, Laurie. “Was the Homosexual Made White? Race, Empire, and Analogy in Gay and Trans Thought in Twentieth-Century Germany: Race, Empire, and Analogy in Gay and Trans Thought in Twentieth-Century Germany.” Gender & History 31, no. 1 (March 2019): 91–114. https://doi.org/10.1111/1468-0424.12411.   Miller, Ben. In Search Of Lost Time: Primitivist Homomythopoetics and the Self-Invention of the White Gay Man. (Dissertation: Freie Universität Berlin, 2024). Miller, Ben. “Rejecting the Klarwelt: How Elisàr von Kupffer Complicates Queer History.” In To Be Seen: Queer Lives 1900-1950, edited by Miriam Zadoff and Karolina Kühn, 62–75. Munich: Hirmer, 2023.   Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicdesigner.

Transcript

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0:00.0

Hello and welcome to Season 8, Episode 3 of Budgays. My name's Hugh Lemmy. I'm a writer and author.

0:21.2

And I'm Ben Miller, a writer and historian currently at work on a biography of the fashion

0:25.3

designer Rudy Gerrnrich.

0:28.5

Great.

0:31.1

I love that we've been doing this show for eight seasons, Hugh, and we can still, I

0:35.7

would say a good 55% of the time

0:38.2

do an opening that isn't unbelievably awkward. But now we're drifting into banter, which we

0:44.2

would never do. So back to the script. Back to the script. So last week we talked about the

0:48.7

weird son, fascist son of a family of weird, mainly fascist socialites, Tom Mitford.

0:55.5

Who are talking about this week, Ben?

0:56.9

Well, weird and fascist are going to continue to be themes.

1:00.6

We're going to be talking about someone today who I've been itching to talk about on this show

1:04.9

ever since I first came across his work a couple years ago as part of the research into my dissertation.

1:11.3

Oh, exciting.

1:12.0

And you can hear me talk more about that dissertation on a recent episode of the Slate

1:19.5

LGBTQ podcast Outward, if you're interested in learning more about that project, which

1:23.3

is called In Search of Lost Time, Primitivist Homomithopoetics and the Self-Invention of the White

1:28.0

Gay Man, and is about, as will not be surprising to anyone who's heard me talk on this show,

1:32.6

the influence of anthropology, ethnography and other kinds of images of the other, colonial

1:36.7

images of the other, on the white gay man and his subject formation.

1:42.1

Primitive homo mythopoetics.

1:44.5

That's easy for you to say.

...

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