4.2 • 3.7K Ratings
🗓️ 28 April 2023
⏱️ 33 minutes
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0:00.0 | Hello everyone, I'm Gilbert Cruz and this is the Book Review Podcast. Joining me this |
0:12.6 | week is the novelist and screenwriter Eleanor Kent. In 2013 she released her second book, |
0:18.4 | The Luminaries, a sprawling story set in 1866 New Zealand during that nation's gold rush |
0:24.5 | period. Critically claimed it would go on to win the Book of Christ, making her the youngest |
0:31.3 | ever winner of that award, which is something that she'll have to hear or read about herself |
0:36.3 | until the end of time. Her latest is Burnham Wood, a literary thriller set in present-day New Zealand |
0:42.5 | about a group of eco-activists, an American tech billionaire, and the plot of land that they |
0:47.8 | come both to share and clash over. Eleanor, thank you for being here today to talk about the book. |
0:55.7 | Thanks for having me. So I'll start not talk about the book, but very quickly, is it weird to have a |
1:00.6 | phrase like the youngest ever winner of the Booker Prize attached you so early in your career, |
1:05.4 | it really is going to be the thing in every article and every, it's just it has to be there. |
1:10.6 | Until somebody younger wins it, I always mentally add on so far to the end of this sentence. |
1:16.0 | A fair point. How has that made you think about your career, if at all? |
1:20.9 | It's a funny kind of thing to have to contend with in a way because nobody can help how old they are |
1:26.5 | at any time. It's one of the things we don't have any control over. One of the biggest literary |
1:31.4 | influences in my life has been Mary Shelley's Frankenstein, actually. It was a huge influence on |
1:35.9 | the luminaries in lots of ways, which Mary Shelley wrote when she was 19 years old. So I kind of think |
1:41.9 | that I'm pretty much over the hill compared with that example. It's something that I have thought |
1:45.8 | about a lot, especially with writing Burnhamwood, how my generational placement or positioning |
1:52.9 | has kind of conditioned me. The book is designed generationally. There are three generations that |
1:59.1 | are represented in terms of the points of view. And I wanted to really explore the generational |
2:04.9 | differences in terms of how we deal with certain contemporary problems that were all kind of |
... |
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