4.6 • 1.1K Ratings
🗓️ 16 September 2022
⏱️ 36 minutes
🧾️ Download transcript
Edward Enninful is the editor of British Vogue and European editorial director of Condé Nast.
Krishnan talks to him about what it’s like to be a refugee in the UK, having moved to London from Ghana at a young age.
They also discuss Enninful’s new book, ‘A Visible Man’, what he thinks of Liz Truss and how he’s changed Vogue to be representative of all women.
Producer: Freya Pickford
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0:00.0 | Hello and welcome two ways to change the world. I'm Krishnan Gurumurthy and this is the |
0:07.6 | podcast in which we talk to extraordinary people about the big ideas and their lives and |
0:11.9 | the events that have helped shape them. My guest this week is the editor of British |
0:16.8 | Vogue. In fact, he's in charge of all Vogue publications in Europe, Edward and in Fulham |
0:21.6 | were interviewing him because he's written a remarkable book called A Visible Man. Now |
0:26.0 | it's not the kind of memoir you might expect from an editor of Vogue because it's really |
0:31.7 | a book about being an asylum seeker, a black man, a gay man in the fashion industry who got |
0:40.7 | his job at Vogue and decided to transform it. Let me just read one little line from the |
0:46.1 | book where he said, I have a thick skin, I can handle it but I won't stand behind |
0:52.4 | and allow the next generation to go through the same kind of treatment if I can help it. |
0:57.0 | I have the power to do something about it. If I'm not here to lift up the younger generation |
1:03.3 | then what the hell am I doing? Edward thank you very much dude for it. Thank you for having me. |
1:12.7 | How bad were things? How bad were things growing up? No I mean in the industry that you came |
1:20.1 | into change? Well I came into an industry that sort of had a very thin definition of what |
1:29.2 | beauty was, like you're a centric and you know I come from a background where all women were |
1:35.8 | celebrated, women of all different races, different religions, age, that's what I came from. |
1:43.8 | So for me, from the age of 18 when I started at ID Magazine to now, my message has always been, |
1:51.6 | let's show the beauty of women, the diverse range of women and I've always shown that. So for me, |
1:59.5 | it wasn't even anything new, it was just something that was always with me for my childhood. |
2:06.6 | Why do you think that wasn't being done? I think there was just a myth that women of color |
2:12.5 | don't sell on magazine covers, women of color was somehow seen as down market when it came to |
2:20.5 | advertising and I knew that was wrong, I knew that was wrong and I knew that when I looked around |
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