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| 0:00.0 | I'm Sam Sanders. I'm Saeed Jones and I'm Zach |
| 0:06.0 | and I'm Zach Stafford and you are all in the same country. |
| 0:15.0 | No, we're not in the same country. |
| 0:19.0 | No, we're not in the same country. |
| 0:20.0 | We're not. |
| 0:21.0 | We're not. |
| 0:22.0 | Okay. I'm still a rod. Okay. |
| 0:23.0 | I'm still far away. |
| 0:25.0 | Where are you? |
| 0:26.0 | Of Paris, which Saeed. |
| 0:28.0 | I, Craig, I keep talking about Paris. |
| 0:30.0 | Patty. |
| 0:31.0 | Because Craig was like, well, I should be writing in Paris. |
| 0:33.7 | I was like, you know Saeed wrote in Paris I think. |
| 0:35.9 | That's true, but honestly I prefer to write in Berlin if I had to choose. |
| 0:38.8 | See, and I just came from Berlin. |
| 0:41.1 | Yes. |
| 0:41.5 | Yeah, because Berlin has, I has I mean okay Parisian Twitter or you know the |
| 0:45.6 | Parisian listeners might read me the house down but I feel like Berlin has a |
| 0:49.6 | better like cafe culture and like more parks and that openness you need to have the secret to |
| 0:56.1 | writing successfully out in public is feeling like you're okay getting like your one |
| 0:59.6 | cup of tea or your one logger and sitting you know for hours like really and not feeling the |
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