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Folger Shakespeare Library: Shakespeare Unlimited

Duke Ellington, Shakespeare, and "Such Sweet Thunder"

Folger Shakespeare Library: Shakespeare Unlimited

Folger Shakespeare Library

Arts

4.8 • 879 Ratings

🗓️ 8 January 2019

⏱️ 31 minutes

🧾️ Download transcript

Summary

In 1956, Duke Ellington gave a series of concerts at Ontario, Canada’s Stratford Festival. Afterward, festival staff asked the legendary composer—at that point, one of jazz’s elder statesmen—if he’d consider writing a piece about Shakespeare. A year later, Duke Ellington premiered and recorded Such Sweet Thunder, a suite of twelve tunes inspired by the Bard and his characters. We talked with University of New Hampshire Professor of English Douglas Lanier about the suite, the second chapter of Ellington’s career, and how they reflect shifting cultural perceptions of jazz. Lanier, who is also a musician, has written widely about Shakespeare and modern popular culture (in fact, that’s the name of his 2002 book: Shakespeare and Modern Popular Culture), and is an expert on pop adaptations of Shakespeare’s works. He wrote about Ellington’s Such Sweet Thunder for our 2007 exhibition, Shakespeare in American Life. Lanier is interviewed by Barbara Bogaev.   From the Shakespeare Unlimited podcast series. Published January 8, 2019. © Folger Shakespeare Library. All rights reserved. This episode, “I Never Heard So Musical A Discord,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Jennifer Swiatek and Phil Richards at KCRW public radio in Santa Monica, California. Actors Morgan Duncan and Craig Wallace recreate the minstrel performance in this episode. They were originally recorded for the Shakespeare In American Life public radio documentary.

Transcript

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0:00.0

In pretty much every generation, there'll be someone who is declared the Shakespeare of whatever.

0:08.5

Usually, whichever art form is most popular at the time.

0:12.2

Normally, the artist will just brush off the idea.

0:15.8

Who, me?

0:17.3

But sometimes an artist takes the mantle and embraces it.

0:21.2

I am the Shakespeare of jazz.

0:24.0

And sometimes, history decides that the artist is right.

0:35.5

From the Folger's Shakespeare Library, this is Shakespeare Unlimited.

0:40.3

I'm Michael Whitmore, the Folgers director.

0:43.3

The artist we're talking about is the great Duke Ellington.

0:47.5

In 1956, Ellington and his arranger, Billy Strayhorn, were performing in Ontario, Canada,

0:53.6

home of the Stratford

0:54.7

Shakespearean Festival. After meeting with festival staff, Ellington made an announcement.

1:01.2

The following year, he would come back to Stratford and perform a brand new suite of music

1:06.0

based on Shakespeare's characters, plays, and sonnets. He called the piece such sweet thunder.

1:13.8

Twelve numbers each linked to a Shakespeare character. Since its first performance, jazz historians

1:21.1

have hailed such sweet thunder as a monumental work that inspired the idea that jazz is America's classical music.

1:29.8

We asked in University of New Hampshire English professor Douglas Lanier to talk about

1:34.9

such sweet thunder because he can do it from a unique perspective. Doug is someone with both

1:40.6

the musical training and the knowledge of Shakespeare to do justice to this unique work of art.

1:47.0

We call this podcast, I Never Heard So Musical, a Discord.

1:52.4

Doug Lanier is interviewed by Barbara Bogave.

...

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