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True Crime Today | Daily True Crime News & Interviews

Donna Adelson's Crazy VS 12 SANE Jurors: What Happens Next?

True Crime Today | Daily True Crime News & Interviews

Tony Brueski

News, News Commentary, True Crime

4.3598 Ratings

🗓️ 25 August 2025

⏱️ 17 minutes

🧾️ Download transcript

Summary

Donna Adelson's Crazy VS 12 SANE Jurors: What Happens Next?

The Donna Adelson trial is finally here — and before the first witness takes the stand, the most important part of the entire case is already happening: jury selection.

Prosecutors call it voir dire, the process of questioning potential jurors to uncover bias, prejudice, or hidden agendas. Defense attorneys call it their single best chance to shape the outcome of a case. In a trial this high-profile, with more than a decade of media coverage and multiple family members already convicted, finding an impartial jury is close to impossible.

Florida’s sunshine laws have made this process transparent in a way most trials never are. Cameras are rolling. The public can watch attorneys on both sides trying to pick 12 strangers who will decide whether Donna Adelson — accused of orchestrating the murder of her former son-in-law, Dan Markel — will spend the rest of her life in prison.

What makes this even more fascinating is the broader context:

  • Dan Markel’s murder (2014) sparked years of trials.

  • The hitmen are already serving time.

  • Katherine Magbanua, the go-between, is behind bars.

  • Charlie Adelson, Donna’s son, is serving life.

  • Now, it’s Donna’s turn.

But everything begins here, with the jurors who will weigh the evidence. Defense attorney Bob Motta (host of Defense Diaries) breaks down why voir dire matters, what strategies both sides are using, and how transparency could change the dynamic in ways nobody expects.

This isn’t just jury duty. This is 12 strangers deciding the fate of the matriarch prosecutors say held the family together — and tore Dan Markel’s life apart.

Subscribe for more daily breakdowns of the Adelson trial and other major true crime cases.

#DonnaAdelson #DanMarkel #TrueCrime #MurderTrial #CourtroomDrama #HiddenKillers #BobMotta #FamilyCrime #FloridaLaw #Justice

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Transcript

Click on a timestamp to play from that location

0:00.0

This is Hidden Killers with Tony Brewski.

0:03.2

Here now, Tony Brewski.

0:06.1

Every high-stakes trial begins with a moment that most people overlook.

0:10.9

It isn't the opening statements.

0:12.9

It isn't the first witness.

0:15.3

It's jury selection.

0:18.1

And in the Donna Adelson case, we're getting to watch that process unfold a way we

0:22.7

usually don't cameras are rolling rod deer is on full display and if you're paying attention it

0:32.0

tells you a hell of a lot about what this case has in store think Think about it. Donna Edelson, she's accused of

0:40.7

being the matriarch behind the murder for hire plot that left her former son-in-law, Dan Markell,

0:47.2

dead in his driveway. Eleven years, four trials, and multiple convictions. The hitmen, the go-between, even her son Charlie

0:59.8

already serving life, it's done his turn to sit at the defense table and before a single

1:05.0

piece of evidence is shown before a single argument is made, it all comes down to the 12 people who will decide her fate.

1:14.4

A jury selection in a case like this isn't casual.

1:17.4

Prosecutors and defense attorneys aren't just looking for people who say they can be fair.

1:22.0

They're looking for subtle tells, body language, past experiences,

1:25.7

even offhand answers that hint at bias.

1:29.4

Because in a case drenched in media coverage, with a family name that's been in headlines for over a decade,

1:35.5

fighting true impartiality is like panning for gold.

1:40.0

And here's a twist. Florida allows us to watch, unlike so many other states that keep jury selection hidden behind courtroom doors.

1:48.8

Florida's sunshine laws let the public in. That transparency adds another layer of pressure, not just on the attorneys, but on the potential jurors themselves.

1:58.2

Every shrug, every pause, every nervous glance, we see it in a case where public

...

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