Having brought you Lynne Ramsey in conversation from the Glasgow Film Festival in our previous episode,

we're on location once again here on soundtracking in partnership with the EEBAFTAs,

this time at London's world famous Air Studios.

For that's where I cut up with Junkie XL, aka Tom Holkenberg, on the day he thanks to Tom and all the air for making me feel so welcome.

Tomb Raider is directed by Norwegian Roar Utag and I'm delighted to say I caught up with

him separately to discuss what he asked of his composer, the tone he wanted for the film and

K Flee's excellent end credit track run for your life. There's also a sonic treat for old-school

gamers before we're done too. But where else could we begin than with Tom in the come down to Air Studios today.

And we went in the wrong door on the way to the control room and just saw that room

kind of empty at the minute, but ready for your amazing orchestra.

Can you just set up what's going on here today?

Well we're recording Tomb Raider today and I arrived yesterday. We're all a little bit jet-legged, but we'll get through it.

As the day goes later we start cheering up, you know, just feeling better again.

But yeah, so we went here yesterday to check everything and set everything up and And then this morning you come in and then, you know, there's these 68 amazing string players here,

one of the best of the world.

Yeah.

Definitely with their priceless instruments.

You don't even want to know like how many millions of instruments are combined in that room.

It's incredible.

And it's always when you go see a classical concert, you know, you go to a proper hall. You in that room. It's incredible. And it's always, when you go see a classical

concert, you know, you go to a proper hall, you have that experience of hearing wonderful instruments

live. But it's so great to hear a couple of times a year when I finish the score, to hear

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