4.5 • 942 Ratings
🗓️ 3 May 2015
⏱️ 19 minutes
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0:00.0 | Hey everybody Ted Forbes welcome back to the art of photography if you are a film nerd this video is for you |
0:05.3 | We're gonna get back into doing some darkroom stuff in the next couple weeks and I want to start today with a review of a developer that I bought a couple weeks ago online from a company called New 55 and the |
0:14.8 | developer is called R3 Monobath and I want to talk about what a monobath developer is |
0:19.7 | I want to show you some images I want to show you how to develop with it what it is and what |
0:23.4 | it isn't. I went ahead and ran a test roll, a couple test rolls of Triax |
0:27.2 | through my Hasselblod to try this out with and was very pleased with the |
0:30.6 | results. It's a beautiful developer. It's a very high contrast |
0:33.8 | developer so you have nice crushed blacks. You do lose highlights so your |
0:37.8 | exposure needs to be pretty on because there's not a lot of latitude once you use |
0:41.2 | this developer. The grain is gorgeous. It's |
0:44.5 | triex so it's pretty much what you'd expect from a grainy process of triax and |
0:49.0 | it was really nice and we're going to talk through the process and talk more about these images in a second, |
0:54.0 | but I want to talk about what a monobath developer is first, |
0:57.0 | because it's kind of an unusual concept from the norm. |
1:00.0 | And if you've ever developed black and white film before, you know that there are three chemicals |
1:03.6 | traditionally that are used, a developer, a stop bath, and a fixer, and there's some other optional |
1:07.6 | chemicals that you can use as well. |
1:09.2 | But anyway, my point is that there are several processes and several baths that the film must go through to become developed. |
1:14.6 | And with Monobath, you do all of this with one chemical solution and it's pretty interesting. |
1:19.3 | If you've ever shot instant film before, you've probably used a monobath and not realized it. |
1:24.3 | That's kind of how Polaroid and Fuji and all these these brands work is that particularly |
1:29.1 | with Polaroids there was that little strip at the bottom of the image that contained chemicals and when you made the exposure it ran that through a set of rollers which broke the chemical compound |
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