Here Be Monsters is a show that invites you to explore fear and the unknown.

I saw her face change. I saw her see where I pulled my hair out.

Psychological warfare was always considered kind of an oddity, something done by freaks.

On the count of three, we're literally going to step out of our body.

Step out.

You can find the new season of Here Be Monsters on August 17th at KCRW.com or wherever you get your podcasts.

From KCRW Santa Monica and KCRW.com, it's the treatment. Welcome to the Treatment.

Welcome to The Treatment. I'm Elvis Mitchell.

The film Too Late is a love letter to Los Angeles, a love letter to film, and most

importantly, a love letter to actors.

It's writer-director of Dennis Hawkes sitting across me. Dennis, first of all, thanks a much of being here. Yeah, thanks for having me. And it is a love letter to film and most importantly a love letter to actors. It's right, a director of Dennis

Hawks sitting across me. Dennis, first of all, thanks much you being here. Yeah, thanks for having me.

And it is a love letter to actors, isn't it? I think so. I wrote every single role in the movie,

almost I wrote with a specific actor in mind. Not all of them ended up being in the movie,

but it was kind of a situation where I knew I was a

first time director, we weren't going to have a lot of money, so I just kind of looked to

what actors I knew personally or actors that I thought I had some sort of tenuous connection

to that I could get to, and I just started writing roles for them. And the biggest, obviously, was John Hawks.

Who's provisionally the star, but I don't know what we can say that there is a star in this

movie so much.

I really feel like the city is the star of that movie because it takes place all over the

city, and it's in technoscope.

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