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Bookworm

David Malouf

Bookworm

KCRW

Arts

4.5606 Ratings

🗓️ 9 April 1998

⏱️ 29 minutes

🧾️ Download transcript

Summary

David Malouf, author of Conversations at Curlow Creek (Vintage). The award-winning Australian writer searches for a lost child--a search that has mysteriously occupied Malouf for his entire writing life.

Transcript

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0:00.0

You are a human animal.

0:07.5

You are a very special reason.

0:11.5

Or you are the only animal.

0:14.9

Who can think, who can reason, who can read.

0:18.9

Hello and welcome to Bookworm.

0:20.5

Today, my guest is David Muloof, the author most recently of and who can read. Hello and welcome to Bookworm.

0:27.0

Today, my guest is David Maloof, the author most recently of the conversations at Coral Creek.

0:34.0

He is the author as well of remembering Babylon, the book which won the first Impact Dublin Award,

0:39.6

which is the largest award for any single literary work offered internationally.

0:46.9

He is the author as well of Harlan's Half Acre, The Great World, Child's Play, The Bread of Time to Come.

0:47.8

His selected poems are available from A&R Modern Poets, and it's particularly the two most recent books that we'll be discussing,

0:57.7

but the process of work is a unified whole, really. It would be hard to talk about any of them

1:05.6

without referring to them all. I'm Michael Silverblatt, and welcome to Bookworm. I wanted to begin by talking to you

1:13.5

about the quality of silence in these books and how in books that are in fact were drunk. These are not,

1:25.6

you know, books that have accidental styles.

1:30.3

They're very considered styles.

1:32.3

Such a quality of silence and isolation manages to be communicated.

1:39.3

I'm always inclined to believe that we have some other form of communication than language and words.

1:50.9

I mean, we communicate by looks, by gestures.

1:55.5

And often in my books, people are most in communication when they're together, but not saying anything

2:04.3

to one another. The unspoken seems to me often to be very powerful and rich. But of course,

2:11.8

the writing itself has to find words for that silence. It has to find a way of articulating

...

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