Hello I'm Kirstie Young and this is a podcast from the Desert Island Discs archive.

For Wright's reasons, we've had to shorten the music.

The program was originally broadcast in 1984 and the presenter was Roy Plumlee. Our cast away this week is a novelist, he's also a professor of modern literature at Birmingham

University and author of a number of technical books on writing and criticism and

other subjects arising from the English language. It's Professor David Lodge.

David, how would you view a spell on a tropical island on your own?

Well, I quite like warm climates and beaches and swimming.

I'm not sure whether I would cope with loneliness and

isolation and lack of civilized amenities. Is music important? Yes, it is. My father is a

musician, a dance musician,

was also interested in classical music, in fact keenly interested in it.

And so I grew up in a home that was oriented to music, though I never actually learned an instrument and I have

no theoretical knowledge of music.

I think I tend to use music as an alternative to my professional life, which is very sort of cerebral and analytical.

So my attitude of music is very emotive and instinctual really. I use it for relaxation for emotional luxuriance rather than for intellectual pleasure I suppose.

Within those limits did you find it difficult to choose?

Extremely difficult because I like a lot of different kinds of music you know classical jazz pop rock and

you know eight records just wasn't enough to reflect all kind of music that I like

What's the first one you're going to play? Well, the first one is a track called Chocolate Apricot from an album called a different sort of blues

by two classical musicians or musicians known mainly for their classical work.

He's at Perlman, the celebrated violinist and Andre Previn.

It's a record that my father introduced me to,

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