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Slate Culture

Culture Gabfest Presents: Hit Parade

Slate Culture

Slate Podcasts

Arts, Tv & Film, Music

4.42K Ratings

🗓️ 28 April 2017

⏱️ 39 minutes

🧾️ Download transcript

Summary

In this debut episode, Chris Molanphy tells the story of “Red, Red Wine”: a song written in the 1960s by a certain journeyman singer-songwriter who loves a Hot August Night. Improbably, it became a reggae song, before the ’60s were even over—and then, even more improbably, in the 1980s it was transformed into a lilting, toasting reggae-pop global smash. And it would have been a flop in America if it hadn’t been for an enterprising deejay, who ignored the record labels and picked his own hits. With this song, he even started a two-year fad and a radio mutiny. Make sure you never miss an episode of Hit Parade. Subscribe to the Culture Gabfest wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hello, Slate Culture Gabfest listeners.

0:02.8

I am coming to you on a Friday.

0:04.5

This is Julia Turner, the editor-in-chief of Slate,

0:06.9

to tell you about something new.

0:09.0

We are launching a feature in this feed called Culture Cabfest Presents where we will bring you

0:14.0

fascinating culture content on days where we don't give you one of our Culture

0:18.0

Gabfest shows. Today we are introducing something I'm extremely excited

0:22.4

about, a monthly show from one of our favorite culture get-fest contributors, Chris Malanfi.

0:27.0

Hello, Chris.

0:28.0

Hey Julia, how are you?

0:29.0

Good, I'm so excited for what we're unveiling today.

0:32.0

As am I?

0:33.0

Please tell our listeners what they are about to hear.

0:35.0

So it's going to be a monthly podcast called Hit Parade.

0:39.0

And it's basically a storytelling podcast, slightly long form, not too long telling stories about the

0:46.0

hits from yester year and bringing you up wherever possible to the present day.

0:50.3

So we're going to you know take just little stories about number one hits or maybe in the future, smaller hits and talk about how they became hits. As I always say, what's interesting about why songs become hits as part of my why is this song number one

1:03.9

column for slate is it's a mix of art and commerce right it's the song itself and

1:07.4

it's it's the machinations behind the song so that's what we will do with hit parade

1:12.0

and a bit of the historical and cultural moment

1:15.8

at which those songs drop.

1:16.9

I mean, that's one of my favorite things about your column.

...

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